Details
Artist
Styles
Screenprint in colours on 410gsm Somerset Tub wove - Printed by K2 Screen, London. - Signed and numbered on the back. - Published by Counter Editions. I'm Sorry For Being Awful by David Shrigley is a 2018 screenprint on 410gsm Somerset Tub wove paper. A pink hand extends a large red flower, accompanied by a speech bubble that reads, “I’m sorry for being awful.” Known for his deadpan humor and naive visual style, Shrigley captures vulnerability and awkwardness in this blunt, almost childlike apology. The bold use of color and simplicity of form make the emotional sentiment both humorous and sincere. This edition of 125 reflects Shrigley’s ongoing exploration of social discomfort, empathy, and absurdity.
I'm Sorry For Being Awful, 2018
form
Medium
Size
76 x 56 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Screenprint in colours on 410gsm Somerset Tub wove - Printed by K2 Screen, London. - Signed and numbered on the back. - Published by Counter Editions. I'm Sorry For Being Awful by David Shrigley is a 2018 screenprint on 410gsm Somerset Tub wove paper. A pink hand extends a large red flower, accompanied by a speech bubble that reads, “I’m sorry for being awful.” Known for his deadpan humor and naive visual style, Shrigley captures vulnerability and awkwardness in this blunt, almost childlike apology. The bold use of color and simplicity of form make the emotional sentiment both humorous and sincere. This edition of 125 reflects Shrigley’s ongoing exploration of social discomfort, empathy, and absurdity.
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
Screen-print
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Limited Edition Print
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What is Naive Art?
Naïve art describes a style of artwork that is simple and unsophisticated, often created by artists without formal training in an academy or art school. The style is characterized by a lack of advanced techniques, giving it a childlike appearance. Naïve art often features bright colors, simple shapes, and a straightforward approach to subject matter, reflecting the artist's untrained perspective.
