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Giclée print on archival fine art paper.// A panoramic cascade of cherry blossoms fills the composition with an almost overwhelming profusion of soft pinks, whites, and pale blues set against a luminous sky-like ground, the branches and petals rendered with the gestural freedom of Abstract Expressionism yet grounded in the age-old Japanese tradition of hanami — the contemplation of transient beauty. Gabriel from the Archangels H15-4 is drawn from Hirst's celebrated Cherry Blossoms series, a body of paintings that marked a dramatic return to the canvas after years of conceptual and installation-based work, and which the artist has described as being about beauty and life and death. The Archangels subset takes its names from celestial beings — Raphael, Uriel, Michael, and Gabriel — lending each composition a spiritual dimension that elevates the floral subject into a meditation on the divine. The wide, cinematic format of this giclée print amplifies the immersive quality of the original painting, drawing the viewer into a world of shimmering colour and organic movement. Hirst's application of paint in the source work is deliberately imprecise, with thick impasto passages, drips, and splashes that recall the spontaneity of action painting, yet the overall effect is one of serene and radiant beauty. The contrast between the violent gesture and the delicate subject matter encapsulates the central tension of Hirst's career: the coexistence of beauty and decay, spectacle and sincerity. Printed on archival fine art paper with exceptional chromatic fidelity, this edition captures the luminosity and textural depth of the original canvas. It is a work of rare poetic power and a landmark in Hirst's evolution as a painter.
Gabriel from the Archangels H15-4, 2021
form
Medium
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60.5 x 152.5 cm
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Details
Artist
Styles
Giclée print on archival fine art paper.// A panoramic cascade of cherry blossoms fills the composition with an almost overwhelming profusion of soft pinks, whites, and pale blues set against a luminous sky-like ground, the branches and petals rendered with the gestural freedom of Abstract Expressionism yet grounded in the age-old Japanese tradition of hanami — the contemplation of transient beauty. Gabriel from the Archangels H15-4 is drawn from Hirst's celebrated Cherry Blossoms series, a body of paintings that marked a dramatic return to the canvas after years of conceptual and installation-based work, and which the artist has described as being about beauty and life and death. The Archangels subset takes its names from celestial beings — Raphael, Uriel, Michael, and Gabriel — lending each composition a spiritual dimension that elevates the floral subject into a meditation on the divine. The wide, cinematic format of this giclée print amplifies the immersive quality of the original painting, drawing the viewer into a world of shimmering colour and organic movement. Hirst's application of paint in the source work is deliberately imprecise, with thick impasto passages, drips, and splashes that recall the spontaneity of action painting, yet the overall effect is one of serene and radiant beauty. The contrast between the violent gesture and the delicate subject matter encapsulates the central tension of Hirst's career: the coexistence of beauty and decay, spectacle and sincerity. Printed on archival fine art paper with exceptional chromatic fidelity, this edition captures the luminosity and textural depth of the original canvas. It is a work of rare poetic power and a landmark in Hirst's evolution as a painter.
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What is Uncanny?
The Uncanny is a concept described by psychologist Sigmund Freud as the eerie or unsettling feeling that arises when something familiar is presented in a strange or unfamiliar way. Surrealist artists, who aimed to reveal the subconscious and merge it with reality, often utilized this concept by combining familiar objects in unexpected and bizarre ways. This approach created a sense of discomfort or unease, challenging the viewer's perception of reality.
