Sam Francis

Untitled, 1984

106.7 X 73 inch

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Composition

Constant Nieuwenhuys's L'ultima cena etching with spectral figures in a dimly lit, angular room under a central light.
Constant Nieuwenhuys's L'ultima cena etching with spectral figures in a dimly lit, angular room under a central light.
Constant Nieuwenhuys's L'ultima cena etching with spectral figures in a dimly lit, angular room under a central light.

Hand signed right below; paper size: 64 x 70 cm. framed: 93 x 100 cm.; literature: "Constant, Grafiek", by Trudy van der Horst, Waanders Publishers, page's 156 and 157 // L'ultima cena by Constant Nieuwenhuys, created in 1980, is a limited-edition print that uses etching and aquatint techniques to reimagine the iconic Last Supper scene in a distinctly modern and abstract manner. The composition features elongated, almost spectral figures in a dimly lit, angular room dominated by earthy and red hues. A single overhead light casts a dramatic glow, focusing attention on the central figures while creating deep shadows along the walls. The scene feels both intimate and unsettling, capturing an atmosphere of existential reflection. This reinterpretation by Nieuwenhuys challenges traditional religious iconography, presenting the Last Supper as a gathering of ambiguous forms that invite contemplation on human presence and absence.

Artwork Copyright © Constant Nieuwenhuys

L'ultima cena, 1980

form

Medium

Edition

Hand signed right below; paper size: 64 x 70 cm. framed: 93 x 100 cm.; literature: "Constant, Grafiek", by Trudy van der Horst, Waanders Publishers, page's 156 and 157 // L'ultima cena by Constant Nieuwenhuys, created in 1980, is a limited-edition print that uses etching and aquatint techniques to reimagine the iconic Last Supper scene in a distinctly modern and abstract manner. The composition features elongated, almost spectral figures in a dimly lit, angular room dominated by earthy and red hues. A single overhead light casts a dramatic glow, focusing attention on the central figures while creating deep shadows along the walls. The scene feels both intimate and unsettling, capturing an atmosphere of existential reflection. This reinterpretation by Nieuwenhuys challenges traditional religious iconography, presenting the Last Supper as a gathering of ambiguous forms that invite contemplation on human presence and absence.

Artwork Copyright © Constant Nieuwenhuys

Constant Nieuwenhuys

Le Massacre, 1972

Limited Edition Print

Lithograph

EUR 595

Constant Nieuwenhuys

L'ultima Cena, 1980

Limited Edition Print

Etching And Aquatint

EUR 2,990

Constant Nieuwenhuys

Composition, 1982

Limited Edition Print

Etching

Currently Not Available

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What is Situationism?

Situationism is a psychological theory that gained prominence in 1968, following the publication of a monograph by Walter Mischel that sparked the Person-situation debate. This theory argues that behavior is primarily influenced by external situational factors rather than internal traits or motivations, challenging the ideas of trait theorists like Raymond B. Cattell and Hans Eysenck, who emphasized stable personality traits. It is important not to confuse this with the Situationist International movement, an artistic and political movement founded by Asger Jorn, which focused on the critique of modern consumer society and the influence of environments on human behavior.

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