Sam Francis

Untitled, 1984

106.7 X 73 inch

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Composition

Constant Nieuwenhuys's L'ultima cena etching with spectral figures in a dimly lit, angular room under a central light.
Constant Nieuwenhuys's L'ultima cena etching with spectral figures in a dimly lit, angular room under a central light.
Constant Nieuwenhuys's L'ultima cena etching with spectral figures in a dimly lit, angular room under a central light.

Hand signed right below; paper size: 64 x 70 cm. framed: 93 x 100 cm.; literature: "Constant, Grafiek", by Trudy van der Horst, Waanders Publishers, page's 156 and 157 // L'ultima cena by Constant Nieuwenhuys, created in 1980, is a limited-edition print that uses etching and aquatint techniques to reimagine the iconic Last Supper scene in a distinctly modern and abstract manner. The composition features elongated, almost spectral figures in a dimly lit, angular room dominated by earthy and red hues. A single overhead light casts a dramatic glow, focusing attention on the central figures while creating deep shadows along the walls. The scene feels both intimate and unsettling, capturing an atmosphere of existential reflection. This reinterpretation by Nieuwenhuys challenges traditional religious iconography, presenting the Last Supper as a gathering of ambiguous forms that invite contemplation on human presence and absence.

Artwork Copyright © Constant Nieuwenhuys

L'ultima cena, 1980

form

Medium

Edition

Hand signed right below; paper size: 64 x 70 cm. framed: 93 x 100 cm.; literature: "Constant, Grafiek", by Trudy van der Horst, Waanders Publishers, page's 156 and 157 // L'ultima cena by Constant Nieuwenhuys, created in 1980, is a limited-edition print that uses etching and aquatint techniques to reimagine the iconic Last Supper scene in a distinctly modern and abstract manner. The composition features elongated, almost spectral figures in a dimly lit, angular room dominated by earthy and red hues. A single overhead light casts a dramatic glow, focusing attention on the central figures while creating deep shadows along the walls. The scene feels both intimate and unsettling, capturing an atmosphere of existential reflection. This reinterpretation by Nieuwenhuys challenges traditional religious iconography, presenting the Last Supper as a gathering of ambiguous forms that invite contemplation on human presence and absence.

Artwork Copyright © Constant Nieuwenhuys

Constant Nieuwenhuys

Le Massacre, 1972

Limited Edition Print

Lithograph

EUR 595

Constant Nieuwenhuys

L'ultima Cena, 1980

Limited Edition Print

Etching And Aquatint

EUR 2,990

Constant Nieuwenhuys

Composition, 1982

Limited Edition Print

Etching

Currently Not Available

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What is the CoBrA movement?

CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.

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