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// Untitled: (Castor #2) by Claire Fontaine, a digital print from 2013, presents an image with a thermal or x-ray-like quality, depicting a cargo container in vibrant hues of blue, green, yellow, and red. The container, set against a blurred urban background, appears illuminated from within, highlighting the contained object in a starkly contrasting palette. The intense color gradient suggests a radioactive or high-temperature subject, evoking themes of surveillance, security, and the concealed nature of transported materials. Fontaine’s work often addresses issues of political tension and societal control, and this piece provokes questions about transparency, safety, and the unseen risks present in modern life.
Untitled: (Castor # 2.), 2013
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90 x 120 cm
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Details
Artist
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// Untitled: (Castor #2) by Claire Fontaine, a digital print from 2013, presents an image with a thermal or x-ray-like quality, depicting a cargo container in vibrant hues of blue, green, yellow, and red. The container, set against a blurred urban background, appears illuminated from within, highlighting the contained object in a starkly contrasting palette. The intense color gradient suggests a radioactive or high-temperature subject, evoking themes of surveillance, security, and the concealed nature of transported materials. Fontaine’s work often addresses issues of political tension and societal control, and this piece provokes questions about transparency, safety, and the unseen risks present in modern life.
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Claire Fontaine
Untitled: (Castor # 2.), 2013
Limited Edition Print
Digital Print On Paper
EUR 2,000
Claire Fontaine
Untitled: (Castor # 1. & # 2.), 2013
Limited Edition Print
Archival Print
EUR 3,500
Claire Fontaine
Untitled: (Castor #1.), 2013
Limited Edition Print
Digital Print On Paper
EUR 2,000
Claire Fontaine
Untitled: (What Is Freedom?), 2012
Limited Edition Print
Screen-print
EUR 2,500
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What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.
