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// Untitled: (Castor #1 & #2) by Claire Fontaine, a 2013 archival print, captures two thermal-like images of a cargo train in transit, displaying the containers and surrounding environment in intense hues of blue, green, yellow, and red. In the left panel, silhouetted figures appear near the train, suggesting observers or perhaps protesters, while the right panel focuses on a single container with a vivid heat signature. The thermal imaging effect draws attention to themes of surveillance, containment, and environmental or political issues associated with transporting hazardous materials. Fontaine’s diptych invites viewers to reflect on the hidden risks and societal implications of modern logistics and monitoring.
Untitled: (Castor # 1. & # 2.), 2013
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Details
Artist
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// Untitled: (Castor #1 & #2) by Claire Fontaine, a 2013 archival print, captures two thermal-like images of a cargo train in transit, displaying the containers and surrounding environment in intense hues of blue, green, yellow, and red. In the left panel, silhouetted figures appear near the train, suggesting observers or perhaps protesters, while the right panel focuses on a single container with a vivid heat signature. The thermal imaging effect draws attention to themes of surveillance, containment, and environmental or political issues associated with transporting hazardous materials. Fontaine’s diptych invites viewers to reflect on the hidden risks and societal implications of modern logistics and monitoring.
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Claire Fontaine
Untitled: (Castor # 2.), 2013
Limited Edition Print
Digital Print On Paper
EUR 2,000
Claire Fontaine
Untitled: (Castor # 1. & # 2.), 2013
Limited Edition Print
Archival Print
EUR 3,500
Claire Fontaine
Untitled: (Castor # 1.), 2013
Limited Edition Print
Digital Print On Paper
EUR 2,000
Claire Fontaine
Untitled: (What Is Freedom?), 2012
Limited Edition Print
Screen-print
EUR 2,500
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What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.
