Details
Artist
Styles
// This Untitled etching by Chris Ofili is a delicate exploration of texture and subtle detail. Known for his vibrant, often intricate works, Ofili here employs a monochromatic approach, inviting viewers to engage closely with the piece to discern its layered, almost ghostly forms. The limited edition print, one of only 50, has a refined composition that may appear minimal from a distance but reveals complex patterns and soft, swirling shapes upon closer inspection. Measuring 41 cm by 50 cm, the work uses the etching technique to create a nuanced play of light and shadow, reminiscent of Ofili's skill in blending subtlety with depth. This piece offers a contemplative experience, drawing viewers into a world of quiet, introspective beauty.
Untitled
form
Medium
Size
41 x 50 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
// This Untitled etching by Chris Ofili is a delicate exploration of texture and subtle detail. Known for his vibrant, often intricate works, Ofili here employs a monochromatic approach, inviting viewers to engage closely with the piece to discern its layered, almost ghostly forms. The limited edition print, one of only 50, has a refined composition that may appear minimal from a distance but reveals complex patterns and soft, swirling shapes upon closer inspection. Measuring 41 cm by 50 cm, the work uses the etching technique to create a nuanced play of light and shadow, reminiscent of Ofili's skill in blending subtlety with depth. This piece offers a contemplative experience, drawing viewers into a world of quiet, introspective beauty.
What is figurative art?
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.
