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Acrylic on paper, mounted on // Bengt Lindström's Untitled (Green Mask) is a vivid and expressive acrylic painting that showcases his signature style of bold colors and dynamic brushstrokes. Measuring 107 by 77 cm, this work on paper, mounted on wood, features a distorted green face that seems to emerge from an intense background of reds, yellows, and blues. The exaggerated features of the mask lend an almost mythical or monstrous quality, capturing Lindström's fascination with primal and archetypal forms. The swirling, thick application of paint creates a textured, almost sculptural effect, intensifying the sense of movement and emotion. Lindström's work often explores the boundaries of human and animalistic forms, resulting in a powerful, visceral piece that confronts viewers with its raw energy and haunting gaze.
Untitled (Green Mask)
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107 x 77 cm
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Details
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Acrylic on paper, mounted on // Bengt Lindström's Untitled (Green Mask) is a vivid and expressive acrylic painting that showcases his signature style of bold colors and dynamic brushstrokes. Measuring 107 by 77 cm, this work on paper, mounted on wood, features a distorted green face that seems to emerge from an intense background of reds, yellows, and blues. The exaggerated features of the mask lend an almost mythical or monstrous quality, capturing Lindström's fascination with primal and archetypal forms. The swirling, thick application of paint creates a textured, almost sculptural effect, intensifying the sense of movement and emotion. Lindström's work often explores the boundaries of human and animalistic forms, resulting in a powerful, visceral piece that confronts viewers with its raw energy and haunting gaze.
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What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.