From the rare limited edition of 200 - Original lithograph in colors on paper - Hand signed and numbered by Lindstrom
Komposition by Bengt Lindström is a vivid lithograph from 1976, showcasing the artist's bold, expressive use of color and form. In this composition, two abstract figures—one in deep blue and the other in bright red—are entangled in an intense, almost confrontational interaction. The figure in blue, with glowing eyes and primitive, mask-like features, appears to dominate the red figure beneath it, creating a sense of power struggle or tension. Surrounding shades of green and purple add depth, enhancing the dramatic intensity of the scene. Lindström’s characteristic, almost primal style imbues the artwork with an emotional rawness, inviting viewers to interpret themes of conflict, dominance, and vulnerability.
Bengt Lindström (Sweden, 1925–2008) was a painter and sculptor celebrated for his bold, vibrant use of color and expressive, distorted faces. Influenced by Nordic mythology and Sámi culture, his dynamic works bridged modern expressionism and folkloric storytelling, cementing his legacy in 20th-century art.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
From the rare limited edition of 200 - Original lithograph in colors on paper - Hand signed and numbered by Lindstrom
Komposition by Bengt Lindström is a vivid lithograph from 1976, showcasing the artist's bold, expressive use of color and form. In this composition, two abstract figures—one in deep blue and the other in bright red—are entangled in an intense, almost confrontational interaction. The figure in blue, with glowing eyes and primitive, mask-like features, appears to dominate the red figure beneath it, creating a sense of power struggle or tension. Surrounding shades of green and purple add depth, enhancing the dramatic intensity of the scene. Lindström’s characteristic, almost primal style imbues the artwork with an emotional rawness, inviting viewers to interpret themes of conflict, dominance, and vulnerability.
Bengt Lindström (Sweden, 1925–2008) was a painter and sculptor celebrated for his bold, vibrant use of color and expressive, distorted faces. Influenced by Nordic mythology and Sámi culture, his dynamic works bridged modern expressionism and folkloric storytelling, cementing his legacy in 20th-century art.
Bengt Lindstrom is an artist from the Lapland area of Sweden. His early life in this place, where it is common to hear of the legends and tales of mystical beings, filled his artwork with a bold presence of color, form, shape, Lapp culture and shamanism. Known as an Impasto painter, his art also includes figurative works with distortion in the faces of his subjects. He has created numerous murals, outdoor paintings, glass and ceramic pieces, sculptures and lithographs. Bengt Lindstrom’s early art took inspiration from the Cubist movement. But after he moved to France, his experimentation with monsters, gods and masks moved his art loosely toward the COBRA group. Bengt Lindstrom saturated pure color palette remained distinct, with intense colors and unblended strokes of paint used throughout many of his pieces. Animal Sacre’ is one example characteristic of his bold paint strokes, intense color palette and figurative yet distorted face. An excellent representative of his outdoor murals is the one painted on the Akkas Dam Hydropower Station. He took part in the 1993 exhibition of glass art, “Grandi Vetri di Murano”. The art work of Bengt Lindstom is displayed in more than 38 major museums around the world. His pieces are also sold by prestigious galleries today. Many art experts consider his early life, lived with the influence of Laplanders, to be the essence and defining core of the entire body of his work. (Artist website)
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.