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Screenprint in colours. Hand-signed, numbered, and blind stamped.// One of Banksy's most iconic and instantly recognisable works, Trolleys exquisitely subverts the aesthetic conventions of prehistoric cave painting to launch a withering critique of contemporary consumer culture. Against a sepia-toned, ochre-washed background suggestive of ancient Paleolithic art, silhouetted hunter-gatherer figures push modern supermarket trolleys in a stiff, ritualistic procession across the composition. The joke is both visual and conceptual: Banksy juxtaposes humanity's earliest artistic impulses — the primitive line drawings of animals and hunters found in caves throughout France and Spain — with the detritus of contemporary consumerism, implying that modern consumer capitalism is itself a form of primitive tribalism, a survival instinct devolved into shopping. The signed version remains significantly rarer than its unsigned counterpart, having been produced in an edition of just 750 impressions. The hand-signature and edition numbering confirm this as an authorised work from Banksy's Pest Control office, executed during the height of his street art career in the early 2000s, when his transition from walls to galleries was crystallising the ironic distance between underground and institutional art. The work's deceptive simplicity masks a sophisticated commentary on how quickly consumerism colonises human behaviour, reducing citizens to solitary figures hunched over their trolleys in an endless, purposeless ritual. It remains among his most philosophically charged printed works.
Trolleys, 2007
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50 x 70 cm
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Screenprint in colours. Hand-signed, numbered, and blind stamped.// One of Banksy's most iconic and instantly recognisable works, Trolleys exquisitely subverts the aesthetic conventions of prehistoric cave painting to launch a withering critique of contemporary consumer culture. Against a sepia-toned, ochre-washed background suggestive of ancient Paleolithic art, silhouetted hunter-gatherer figures push modern supermarket trolleys in a stiff, ritualistic procession across the composition. The joke is both visual and conceptual: Banksy juxtaposes humanity's earliest artistic impulses — the primitive line drawings of animals and hunters found in caves throughout France and Spain — with the detritus of contemporary consumerism, implying that modern consumer capitalism is itself a form of primitive tribalism, a survival instinct devolved into shopping. The signed version remains significantly rarer than its unsigned counterpart, having been produced in an edition of just 750 impressions. The hand-signature and edition numbering confirm this as an authorised work from Banksy's Pest Control office, executed during the height of his street art career in the early 2000s, when his transition from walls to galleries was crystallising the ironic distance between underground and institutional art. The work's deceptive simplicity masks a sophisticated commentary on how quickly consumerism colonises human behaviour, reducing citizens to solitary figures hunched over their trolleys in an endless, purposeless ritual. It remains among his most philosophically charged printed works.
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What is graffiti art?
Graffiti art refers to drawings and writings that are painted, scratched, or scribbled on walls or other surfaces, typically in public spaces. This art form ranges from small tags to elaborate wall paintings. Graffiti has been in existence since ancient times, with examples dating back to the Roman Empire, Ancient Greece, and Ancient Egypt.
