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Screenprint in colours on 250mg cartridge paper - Signed, numbered and dated on the front- - Sold without the Certificate of Authenticity from Pest Control. // Four Soup Cans - Gold on Cream by Banksy, created in 2005, is a limited edition screen print that parodies the iconic pop art imagery of mass-produced consumer goods. The print features four cans of Tesco Value cream of tomato soup, arranged in a grid reminiscent of Andy Warhol’s famous Campbell’s Soup Cans. The use of a well-known supermarket brand, Tesco, critiques consumer culture and the commercialization of art. Banksy’s characteristic social commentary is evident in this piece, where humor and irony highlight the intersection between art, commerce, and society. The simple design on cream-colored paper with gold accents adds a touch of elegance, contrasting with the mundane subject matter, creating a work that is both thought-provoking and visually striking.
Four Soup Cans - Gold on Cream, 2005
form
Medium
Size
70 x 50 cm
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Details
Artist
Styles
Screenprint in colours on 250mg cartridge paper - Signed, numbered and dated on the front- - Sold without the Certificate of Authenticity from Pest Control. // Four Soup Cans - Gold on Cream by Banksy, created in 2005, is a limited edition screen print that parodies the iconic pop art imagery of mass-produced consumer goods. The print features four cans of Tesco Value cream of tomato soup, arranged in a grid reminiscent of Andy Warhol’s famous Campbell’s Soup Cans. The use of a well-known supermarket brand, Tesco, critiques consumer culture and the commercialization of art. Banksy’s characteristic social commentary is evident in this piece, where humor and irony highlight the intersection between art, commerce, and society. The simple design on cream-colored paper with gold accents adds a touch of elegance, contrasting with the mundane subject matter, creating a work that is both thought-provoking and visually striking.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.