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Color edition on baryta paper - Limited edition of 200 copies, stamps on the back, certificate by the curator of André de Dienes // Becoming Marilyn (1945) by André de Dienes captures an early image of Marilyn Monroe, exuding youthful charm and natural beauty. In this iconic photograph, a young Marilyn sits on the sand by the beach, dressed in a striped red and white shirt, white shorts with suspenders, and a blue scarf tied in her hair. The vibrant colors and serene seaside background add a timeless quality to the portrait, reflecting a carefree spirit and the beginnings of Monroe's journey to stardom. This 2006 color edition print on baryta paper is part of a limited edition of 200, with stamps and a certificate from de Dienes’ curator.
Becoming Marilyn (1945), 2006
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Medium
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51 x 41 cm
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Details
Artist
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Color edition on baryta paper - Limited edition of 200 copies, stamps on the back, certificate by the curator of André de Dienes // Becoming Marilyn (1945) by André de Dienes captures an early image of Marilyn Monroe, exuding youthful charm and natural beauty. In this iconic photograph, a young Marilyn sits on the sand by the beach, dressed in a striped red and white shirt, white shorts with suspenders, and a blue scarf tied in her hair. The vibrant colors and serene seaside background add a timeless quality to the portrait, reflecting a carefree spirit and the beginnings of Monroe's journey to stardom. This 2006 color edition print on baryta paper is part of a limited edition of 200, with stamps and a certificate from de Dienes’ curator.
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What is Funk Art?
In the 1960s, Funk Art emerged as a reactive movement against Abstract Expressionism. It was widely known as an anti-establishment movement, with the name derived from the jazz term funky. This term carried both positive and negative connotations: in the jazz world, it described passion, quirkiness, and sensuality, but it could also refer to a foul odor. Funk Art was particularly popular in the California Bay Area. While the artists of the Funk Art era shared similar attitudes and styles, they did not see themselves as part of a formal group or movement.
