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// Desapropriação 2 by André Komatsu is a limited edition lithograph from 2011, created in an edition of 24. This artwork presents a simple, stark image of a table with a gridded top, part of which has collapsed, leaving jagged holes that reveal the dark background beneath. The stark black and white contrast highlights the table's fractured state, giving it a sense of decay or destruction. Komatsu’s piece examines themes of instability and dispossession, reflecting on how everyday structures can become sites of vulnerability. The broken table may symbolize the fragility of foundational systems, inviting viewers to question the reliability of seemingly stable constructs in society.
Desapropriaçâo 2 , 2011
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70 x 100 cm
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Details
Artist
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// Desapropriação 2 by André Komatsu is a limited edition lithograph from 2011, created in an edition of 24. This artwork presents a simple, stark image of a table with a gridded top, part of which has collapsed, leaving jagged holes that reveal the dark background beneath. The stark black and white contrast highlights the table's fractured state, giving it a sense of decay or destruction. Komatsu’s piece examines themes of instability and dispossession, reflecting on how everyday structures can become sites of vulnerability. The broken table may symbolize the fragility of foundational systems, inviting viewers to question the reliability of seemingly stable constructs in society.
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André Komatsu
Desapropriaçâo 1, 2011
Limited Edition Print
Lithograph
EUR 700
André Komatsu
Desapropriaçâo 2 , 2011
Limited Edition Print
Lithograph
EUR 700
André Komatsu
Desapropriaçâo 3 , 2011
Limited Edition Print
Lithograph
EUR 700
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Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
