Details
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Lithograph in colors on Japon nacre - Printed by Arts-Litho, Paris and published by Éditions de la Différence, Paris. // Alexander Calder’s Untitled (from the La mémoire élémentaire portfolio) (1976) is a lithograph that epitomizes his fascination with geometric forms and vibrant colors. This print features a dynamic arrangement of pyramidal shapes in bold hues of red, blue, yellow, black, and orange, creating a lively interplay of color and form. Set against a neutral background, the pyramids appear to be scattered across the composition, each shape outlined with thick black lines that add definition and contrast. Calder’s use of primary and secondary colors emphasizes his modernist approach, transforming simple geometric elements into a visually stimulating and playful composition. Printed on Japon nacré paper by Arts-Litho in Paris and published by Éditions de la Différence, this piece demonstrates Calder’s ability to translate the movement and balance seen in his sculptures into two-dimensional works, preserving the sense of motion and spontaneity.
Hommage á Euclide / Hommage to Euclid from La Memoire Elementaire, 1976
form
Medium
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51.4 x 71.8 cm
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Details
Artist
Styles
Lithograph in colors on Japon nacre - Printed by Arts-Litho, Paris and published by Éditions de la Différence, Paris. // Alexander Calder’s Untitled (from the La mémoire élémentaire portfolio) (1976) is a lithograph that epitomizes his fascination with geometric forms and vibrant colors. This print features a dynamic arrangement of pyramidal shapes in bold hues of red, blue, yellow, black, and orange, creating a lively interplay of color and form. Set against a neutral background, the pyramids appear to be scattered across the composition, each shape outlined with thick black lines that add definition and contrast. Calder’s use of primary and secondary colors emphasizes his modernist approach, transforming simple geometric elements into a visually stimulating and playful composition. Printed on Japon nacré paper by Arts-Litho in Paris and published by Éditions de la Différence, this piece demonstrates Calder’s ability to translate the movement and balance seen in his sculptures into two-dimensional works, preserving the sense of motion and spontaneity.
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Alexander Calder
Le Piège (from La Memoire Elementaire), 1976
Limited Edition Print
Lithograph
USD 9,700
Alexander Calder
Hommage á Euclide / Hommage To Euclid From La Memoire Elementaire, 1976
Limited Edition Print
Lithograph
USD 9,700
Alexander Calder
Taches De Rousser (from La Memoire Elementaire), 1976
Limited Edition Print
Lithograph
USD 9,700
Alexander Calder
Untitled (Derriere Le Miroir #201), c. 1970
Limited Edition Print
Lithograph
Inquire For Price
Alexander Calder
Untitled (Floating Forms), 1964
Limited Edition Print
Lithograph
USD 9,000 - 12,000
Alexander Calder
Save Our Planet, Save Our Wildlife, 1971
Limited Edition Print
Offset Print
USD 2,850
Alexander Calder
Our Unfinished Revolution: Animals, 1976
Limited Edition Print
Lithograph
USD 9,700
Alexander Calder
Le Point De Non Retour (from La Memoire Elementaire), 1976
Limited Edition Print
Lithograph
USD 9,700
Alexander Calder
La Pointe Du Progrès (from La Memoire Elementaire), 1976
Limited Edition Print
Lithograph
USD 9,700
Alexander Calder
Our Unfinished Revolution: Octopus/Squid, 1975-1976
Limited Edition Print
Lithograph
USD 9,700
What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
