Sam Francis

Untitled, 1984

106.7 X 73 inch

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Universal Star Leg

James Rosenquist's Where the Water Goes, 1989 collage print, faucet over a pink, blue, and green explosion, blending abstract and mechanical forms.

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Kunstenaar

Stijlen

Pressed paper pulp in colours with lithography collage, on handmade TGL paper - Signed, titled, dated and numbered in pencil - Published by Tyler Graphics Ltd., Mount Kisco, New York (with their blindstamp). // Where the Water Goes (from the Welcome to the Water Planet) van James Rosenquist, gemaakt in 1989, is een opvallende collageprint die levendige kleuren en dynamische beelden combineert. Dit gelimiteerde werk, onderdeel van een serie van 32 prints met 10 kunstenaarsproeven (APs), is gemaakt van geperste papieren pulp in kleuren met lithografische collage-elementen op handgemaakt TGL-papier. Rosenquists werk combineert abstracte vormen en herkenbare objecten, met als centraal focuspunt wat lijkt op de onderkant van een gootsteen of kraan, uitmondend in een explosie van felle rozen, blauwen en groenen. Het stuk vermengt mechanische elementen met een kosmische of planetaire sfeer, wat zijn fascinatie voor technologie, ruimte en het moderne leven weerspiegelt. De surrealistische compositie, gevuld met levendige wervelingen en vloeiende lijnen, suggereert beweging en de interactie tussen door de mens gemaakte en natuurlijke omgevingen. Het werk is gesigneerd, getiteld, gedateerd en genummerd in potlood, en werd uitgegeven door Tyler Graphics Ltd., Mount Kisco, New York, met hun blindstempel.

Artwork Copyright © James Rosenquist

James Rosenquist

Where the Water goes (from the Welcome to the water planet), 1989

kunstvorm

Medium

Afmeting

261 x 147   cm
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  • Centimeters

Editie

Prijs

Details

Kunstenaar

Stijlen

Pressed paper pulp in colours with lithography collage, on handmade TGL paper - Signed, titled, dated and numbered in pencil - Published by Tyler Graphics Ltd., Mount Kisco, New York (with their blindstamp). // Where the Water Goes (from the Welcome to the Water Planet) van James Rosenquist, gemaakt in 1989, is een opvallende collageprint die levendige kleuren en dynamische beelden combineert. Dit gelimiteerde werk, onderdeel van een serie van 32 prints met 10 kunstenaarsproeven (APs), is gemaakt van geperste papieren pulp in kleuren met lithografische collage-elementen op handgemaakt TGL-papier. Rosenquists werk combineert abstracte vormen en herkenbare objecten, met als centraal focuspunt wat lijkt op de onderkant van een gootsteen of kraan, uitmondend in een explosie van felle rozen, blauwen en groenen. Het stuk vermengt mechanische elementen met een kosmische of planetaire sfeer, wat zijn fascinatie voor technologie, ruimte en het moderne leven weerspiegelt. De surrealistische compositie, gevuld met levendige wervelingen en vloeiende lijnen, suggereert beweging en de interactie tussen door de mens gemaakte en natuurlijke omgevingen. Het werk is gesigneerd, getiteld, gedateerd en genummerd in potlood, en werd uitgegeven door Tyler Graphics Ltd., Mount Kisco, New York, met hun blindstempel.

Artwork Copyright © James Rosenquist
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James Rosenquist Flower Garden lithograph with disembodied hands and female athlete figure in grayscale on dark background.

James Rosenquist

Flower Garden, 1972

Editie / Print

Lithografie

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James Rosenquist Marilyn lithograph with fragmented face of Marilyn Monroe, bold colors, and layered text elements in pop art style.

James Rosenquist

Marilyn, 1974

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Lithografie

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James Rosenquist Dusting off Roses lithograph with layered magenta roses, green stems, and yellow background in pop art style.

James Rosenquist

Dusting Off Roses, 1965

Editie / Print

Lithografie

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James Rosenquist Drawing #14 for Heart Time Flowers with colorful nail-like forms and red halo at center on white background.

James Rosenquist

Drawing #14 For Heart Time Flowers, 1980

Tekening / Waterverf

Gemengde Techniek.

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James Rosenquist Book and Pointer for the Fast Student with torn paper, ink splatters, wood stick, and abstract black fan shapes.

James Rosenquist

Book And Pointer For The Fast Student, 1977

Tekening / Waterverf

Collage

Contacteer Ons

James Rosenquist Sketch for Forest Ranger 1967 silkscreen with red swing over leafy background and colorful diagonal grid

James Rosenquist

Sketch For Forest Ranger, 1967

Editie / Print

Zeefdruk

USD 1,500

James Rosenquist's Moon Box, lithograph, shows a pergola structure casting an American flag's stars and stripes as shadows under a full moon.

James Rosenquist

Moon Box, 1971

Editie / Print

Lithografie

EUR 3,100

James Rosenquist’s Ice Point from Art and Sport, lithograph, shows a fragmented face with blue eyes and red geometric lines.

James Rosenquist

Ice Point From Art And Sport, 1983

Editie / Print

Lithografie

USD 4,450

James Rosenquist’s Yellow Landing, lithograph, shows a yellow square, circular form, and radiant lines with red splashes and geometric shapes.

James Rosenquist

Yellow Landing, 1974

Editie / Print

Lithografie

USD 11,900

James Rosenquist’s Woman in the Sun, lithograph, shows a circle filled with colorful dots and abstract black shapes on the left, with a red explosion form on the right.

James Rosenquist

Woman In The Sun, 1991

Editie / Print

Lithografie

USD 4,450

James Rosenquist’s Nuclear Neighborhood, hand-colored etching, features abstract forms of blue architecture, black shapes, and yellow atomic-like symbols in contrasting sections.

James Rosenquist

Nuclear Neighborhood, 1977

Editie / Print

Ets

USD 3,750

James Rosenquist’s Horse Blinders (South), lithograph and screenprint, combines vibrant colors and metallic surfaces with silver foil in an abstract composition.

James Rosenquist

Horse Blinders (South), 1972

Editie / Print

Zeefdruk

USD 6,200

James Rosenquist, Towel, Star, Sunglasses, hand-colored etching with vibrant colors, concentric rings, and sunglasses outline.

James Rosenquist

Towel, Star, Sunglasses, 1977

Editie / Print

Ets

USD 3,750

James Rosenquist's Where the Water Goes, 1989 collage print, faucet over a pink, blue, and green explosion, blending abstract and mechanical forms.

James Rosenquist

Where The Water Goes (from The Welcome To The Water Planet), 1989

Editie / Print

Collage

Contacteer Ons

James Rosenquist’s Universal Star Leg lithograph, red splattered background with geometric shapes and a suspended stone.

James Rosenquist

Universal Star Leg, 1974

Editie / Print

Collage

USD 3,200

James Rosenquist, Federal Spending (second state), etching and aquatint, features three abstract red shapes suggesting division and balance.

James Rosenquist

Federal Spending (second State), 1978

Editie / Print

Ets En Aquatint

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James Rosenquist's A Pale Angel's Halo (Yellow) lithograph depicts a yellow arch-like form with energetic lines on a white background.

James Rosenquist

A Pale Angels Halo (Yellow), 1973

Editie / Print

Lithografie

Contacteer Ons

James Rosenquist's Federal Spending etching features abstract purple, striped circular, and pink glasses forms on a white background.

James Rosenquist

Federal Spending, 1978

Editie / Print

Ets En Aquatint

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James Rosenquist's Miles screenprint features a blue circular explosion with text fragments over a multicolored striped background.

James Rosenquist

Miles, 1975

Editie / Print

Zeefdruk

USD 2,000

James Rosenquist's Just Desert Israel 2nd State, 1979, intaglio with pochoir, features abstract geometric and organic forms in a monochromatic palette.

James Rosenquist

Just Desert Israel 2nd State, 1979

Editie / Print

Intaglio

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James Rosenquist's Tide (2nd State), etching, fragmented blue geometric forms and circular elements, set against a textured background, 1976.

James Rosenquist

Tide (2nd State), 1976

Editie / Print

Ets

Contacteer Ons

James Rosenquist's Swing Screen, etching and aquatint, dynamic composition with colorful circle, green shape, and triangle, 1976.

James Rosenquist

Swing Screen, 1976

Editie / Print

Ets En Aquatint

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James Rosenquist, Window Washer Glass House, mixed media print with vibrant abstract shapes and colors on Pescia Italia paper.

James Rosenquist

Window Washer Glass House, 1978

Editie / Print

Gemengde Techniek.

USD 1,450

James Rosenquist Window Washer Glass House print with dark gray abstract lines, textures, and central embossed rectangular form.

James Rosenquist

Window Washer Glass House (black And White), 1978

Editie / Print

Gemengde Techniek.

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James Rosenquist's The Flame Still Dances on Leo's Book, 1997 lithograph, shows a vivid flame rising from a book with swirling smoke.

James Rosenquist

The Flame Still Dances On Leos Book, 1997

Editie / Print

Lithografie

USD 1,350

James ROSENQUIST | SPOKES (green) | Etching and Aquatint available for sale on composition gallery

James Rosenquist

SPOKES (green), 1978

Editie / Print

Ets En Aquatint

Contacteer Ons

James Rosenquist The Kabuki Blushes mixed media print; bold colors, fragmented images, and textured layers creating a surreal atmosphere.

James Rosenquist

The Kabuki Blushes (from Secrets In Carnations), 1986

Editie / Print

Gemengde Techniek.

USD 8,950

James Rosenquist's Certificate 1962 etching showing an arm and fist in a scratchy frame, blending abstract and photorealistic elements.

James Rosenquist

Certificate, 1962

Editie / Print

Ets

Contacteer Ons

James Rosenquist's Tide etching with deep blue geometric and swirling forms, exploring the balance between technology and nature.

James Rosenquist

Tide, 1979

Editie / Print

Ets En Aquatint

Contacteer Ons

Tom Wesselmann, Monica Sitting with Mondrian, screenprint of nude figure in front of Mondrian-inspired geometric background.

James Rosenquist

Somewhere To Light, 1966

Editie / Print

Zeefdruk

USD 6,600

James Rosenquist, The Book Disappears for the Fast Student 2nd State, etching and aquatint; blue-toned with circular forms and speckled background.

James Rosenquist

The Book Disappears For The Fast Student 2nd State, 1978

Editie / Print

Ets En Aquatint

USD 1,100

James Rosenquist’s Horse Blinders (North), 1972 mixed-media print with wood grain, blue arcs, and reflective silver foil panels.

James Rosenquist

Horse Blinders (North), 1972

Editie / Print

Gemengde Techniek.

USD 5,500

James Rosenquist's Alphabet Avalanche, 1979 lithograph, abstract shapes with vibrant stripes and monochrome fan linked by staircase on dark background.

James Rosenquist

Alphabet Avalanche, 1979

Editie / Print

Lithografie

USD 6,620

James Rosenquist Starfish serigraph with fragmented coin image, vibrant colored stripes, and Guild Hall Easthampton, New York text.

James Rosenquist

Starfish, 1974

Editie / Print

Serigrafie

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James Rosenquist's Spring Cheer, 1st State, 1978 etching and aquatint, featuring red Pegasus, circular patterns, and branch with gradient oval.

James Rosenquist

Spring Cheer, 1st. State , 1978

Editie / Print

Ets En Aquatint

USD 4,250

James Rosenquist's Spokes, etching and aquatint with red circles, multicolored lines, and an abstract orange form on Pescia Italia paper.

James Rosenquist

Spokes , 1977

Editie / Print

Ets En Aquatint

USD 4,390

James Rosenquist Hot Lake etching with colorful abstract shapes including sunburst, striped house, and rainbow arcs, dynamic and surreal.

James Rosenquist

Hot Lake, 1978

Editie / Print

Ets En Aquatint

USD 4,390

James Rosenquist, Flamingo Capsule, screenprint; abstract collage with American flag, metallic textures, and vivid color gradients.

James Rosenquist

Flamingo Capsule, 1973

Editie / Print

Zeefdruk

USD 18,500

James Rosenquist, High Pool, lithograph; two circles, left black with bubbles, right colorful swirl, contrasting stillness and movement.

James Rosenquist

High Pool, 1966

Editie / Print

Lithografie

USD 6,700

James Rosenquist, Circles of Confusion, screenprint; blurred colorful circles with GE logos and white dots on a vibrant background.

James Rosenquist

Circles Of Confusion, 1965

Editie / Print

Zeefdruk

EUR 2,500

James Rosenquist, Gravity Feed, aquatint; multicolored footprints, grayscale square, and diagonal colored lines create a dynamic abstract composition.

James Rosenquist

Gravity Feed, 1978

Editie / Print

Aquatint

USD 2,350

James Rosenquist's Sunglass Lens - Landing Net - Triangle, 1974 etching with geometric shapes, black radial lines, exploring perception.

James Rosenquist

Sunglass Lens - Landing Net - Triangle, 1974

Editie / Print

Ets

Contacteer Ons

James Rosenquist New York Says It lithograph and serigraph with flower over New York skyline, red lines and pixel patterns intertwine.

James Rosenquist

New York Says It, 1983

Editie / Print

Lithografie

USD 1,400

James Rosenquist Star Ladder Second State lithograph with bird, star shape, and chaotic lines on the right

James Rosenquist

Star Ladder (Second State), 1978

Editie / Print

Lithografie

USD 3,400

James Rosenquist Rails color lithograph and screenprint with fragmented design featuring lightning bolt, Japanese characters, and abstract shapes

James Rosenquist

Rails, 1975-1976

Editie / Print

Lithografie

USD 9,500

James Rosenquist Pushbuttons lithograph with abstracted hands and mechanical push buttons in monochrome

James Rosenquist

Pushbuttons, 1972

Editie / Print

Lithografie

USD 7,500

James Rosenquist Forehead 2 lithograph with segmented abstract elements including black lines, pink face hint, and swirling strands

James Rosenquist

Forehead 2, 1968

Editie / Print

Lithografie

USD 6,500

James Rosenquist Flameout For Picasso lithograph with red and blue sections, geometric shapes, and textured elements honoring Picasso.

James Rosenquist

Flameout For Picasso, 1973

Editie / Print

Lithografie

USD 4,500

James Rosenquist's The World Art Festival lithograph features abstract floral forms, a treble clef, and rainbow bands on a vibrant background.

James Rosenquist

The World Art Festival, 1982

Editie / Print

Lithografie

Momenteel Niet Beschikbaar

James Rosenquist's lithograph My Mind is a Glass of Water, 1972, depicts a white glass with water against a blue-purple gradient background.

James Rosenquist

My Mind Is A Glass Of Water, 1972

Editie / Print

Lithografie

Momenteel Niet Beschikbaar

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Wat is pop-art?
Artwork by Andy Warhol

Wat is pop-art?

Popart is een kunstbeweging die in 1955 in Groot-Brittannië begon en eind jaren 1950 in de VS. Het daagde de traditionele beeldende kunst uit door afbeeldingen uit de populaire cultuur te gebruiken, zoals nieuws, reclame en stripboeken. Popart isoleert vaak materialen en plaatst ze in een nieuwe context, waarbij ze worden gecombineerd met niet-gerelateerde elementen. De beweging draait meer om de houding en ideeën die eraan ten grondslag liggen dan om de kunst zelf. Popart wordt gezien als een reactie op de dominante ideeën van het abstract expressionisme, waarbij alledaagse consumptiecultuur in de wereld van de beeldende kunst wordt gebracht.

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