Sam Francis

Untitled, 1984

106.7 X 73 inch

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Somewhere to Light

James Rosenquist's Tide etching with deep blue geometric and swirling forms, exploring the balance between technology and nature.

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Original etching with aquatint on paper - Published by Multiples Inc New York // Tide van James Rosenquist, gemaakt in 1979, is een ets in beperkte oplage met aquatint, uitgegeven door Multiples Inc. in New York. Met een afmeting van 23,75 x 41 inch toont dit kunstwerk Rosenquist's unieke mix van abstractie en popart. De compositie wordt gedomineerd door twee hoofdvormen: een geometrische, gefragmenteerde structuur aan de linkerzijde en een cirkelvormige, wervelende vorm aan de rechterzijde, beide uitgevoerd in een diepe blauwe tint. De juxtapositie van deze vormen suggereert een balans tussen mechanische precisie en organische beweging, wat Rosenquist's verkenning van de wisselwerking tussen technologie en natuur weerspiegelt. De getextureerde kwaliteit van de aquatinttechniek versterkt het gevoel van diepte en dimensie in de print.

Artwork Copyright © James Rosenquist

James Rosenquist

Tide, 1979

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60.3 x 104.1   cm
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Original etching with aquatint on paper - Published by Multiples Inc New York // Tide van James Rosenquist, gemaakt in 1979, is een ets in beperkte oplage met aquatint, uitgegeven door Multiples Inc. in New York. Met een afmeting van 23,75 x 41 inch toont dit kunstwerk Rosenquist's unieke mix van abstractie en popart. De compositie wordt gedomineerd door twee hoofdvormen: een geometrische, gefragmenteerde structuur aan de linkerzijde en een cirkelvormige, wervelende vorm aan de rechterzijde, beide uitgevoerd in een diepe blauwe tint. De juxtapositie van deze vormen suggereert een balans tussen mechanische precisie en organische beweging, wat Rosenquist's verkenning van de wisselwerking tussen technologie en natuur weerspiegelt. De getextureerde kwaliteit van de aquatinttechniek versterkt het gevoel van diepte en dimensie in de print.

Artwork Copyright © James Rosenquist
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James Rosenquist Whipped Butter For Eugene screenprint with bold red, yellow, and blue abstract forms on handmade paper.

James Rosenquist

Whipped Butter For Eugene, 1965

Editie / Print

Zeefdruk

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James Rosenquist's Moon Box, lithograph, shows a pergola structure casting an American flag's stars and stripes as shadows under a full moon.

James Rosenquist

Moon Box, 1971

Editie / Print

Lithografie

EUR 3,100

James Rosenquist’s Ice Point from Art and Sport, lithograph, shows a fragmented face with blue eyes and red geometric lines.

James Rosenquist

Ice Point From Art And Sport, 1983

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Lithografie

USD 4,450

James Rosenquist’s Yellow Landing, lithograph, shows a yellow square, circular form, and radiant lines with red splashes and geometric shapes.

James Rosenquist

Yellow Landing, 1974

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Lithografie

USD 11,900

James Rosenquist’s Woman in the Sun, lithograph, shows a circle filled with colorful dots and abstract black shapes on the left, with a red explosion form on the right.

James Rosenquist

Woman In The Sun, 1991

Editie / Print

Lithografie

USD 4,450

James Rosenquist’s Nuclear Neighborhood, hand-colored etching, features abstract forms of blue architecture, black shapes, and yellow atomic-like symbols in contrasting sections.

James Rosenquist

Nuclear Neighborhood, 1977

Editie / Print

Ets

USD 3,750

James Rosenquist’s Horse Blinders (South), lithograph and screenprint, combines vibrant colors and metallic surfaces with silver foil in an abstract composition.

James Rosenquist

Horse Blinders (South), 1972

Editie / Print

Zeefdruk

USD 6,200

James Rosenquist, Towel, Star, Sunglasses, hand-colored etching with vibrant colors, concentric rings, and sunglasses outline.

James Rosenquist

Towel, Star, Sunglasses, 1977

Editie / Print

Ets

USD 3,750

James Rosenquist's Where the Water Goes, 1989 collage print, faucet over a pink, blue, and green explosion, blending abstract and mechanical forms.

James Rosenquist

Where The Water Goes (from The Welcome To The Water Planet), 1989

Editie / Print

Collage

Contacteer Ons

James Rosenquist’s Universal Star Leg lithograph, red splattered background with geometric shapes and a suspended stone.

James Rosenquist

Universal Star Leg, 1974

Editie / Print

Collage

USD 3,200

James Rosenquist, Federal Spending (second state), etching and aquatint, features three abstract red shapes suggesting division and balance.

James Rosenquist

Federal Spending (second State), 1978

Editie / Print

Ets En Aquatint

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James Rosenquist's The World Art Festival lithograph features abstract floral forms, a treble clef, and rainbow bands on a vibrant background.

James Rosenquist

The World Art Festival, 1982

Editie / Print

Lithografie

Contacteer Ons

James Rosenquist's A Pale Angel's Halo (Yellow) lithograph depicts a yellow arch-like form with energetic lines on a white background.

James Rosenquist

A Pale Angels Halo (Yellow), 1973

Editie / Print

Lithografie

Contacteer Ons

James Rosenquist's Federal Spending etching features abstract purple, striped circular, and pink glasses forms on a white background.

James Rosenquist

Federal Spending, 1978

Editie / Print

Ets En Aquatint

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James Rosenquist's Miles screenprint features a blue circular explosion with text fragments over a multicolored striped background.

James Rosenquist

Miles, 1975

Editie / Print

Zeefdruk

USD 2,000

James Rosenquist's Just Desert Israel 2nd State, 1979, intaglio with pochoir, features abstract geometric and organic forms in a monochromatic palette.

James Rosenquist

Just Desert Israel 2nd State, 1979

Editie / Print

Gemengde Techniek.

Contacteer Ons

James Rosenquist's Tide (2nd State), etching, fragmented blue geometric forms and circular elements, set against a textured background, 1976.

James Rosenquist

Tide (2nd State), 1976

Editie / Print

Ets

Contacteer Ons

James Rosenquist's Swing Screen, etching and aquatint, dynamic composition with colorful circle, green shape, and triangle, 1976.

James Rosenquist

Swing Screen, 1976

Editie / Print

Ets En Aquatint

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James Rosenquist, Window Washer Glass House, mixed media print with vibrant abstract shapes and colors on Pescia Italia paper.

James Rosenquist

Window Washer Glass House, 1978

Editie / Print

Gemengde Techniek.

USD 1,450

James Rosenquist Window Washer Glass House print with dark gray abstract lines, textures, and central embossed rectangular form.

James Rosenquist

Window Washer Glass House (black And White), 1978

Editie / Print

Gemengde Techniek.

Contacteer Ons

James Rosenquist's The Flame Still Dances on Leo's Book, 1997 lithograph, shows a vivid flame rising from a book with swirling smoke.

James Rosenquist

The Flame Still Dances On Leos Book, 1997

Editie / Print

Lithografie

Contacteer Ons

James ROSENQUIST | SPOKES (green) | Etching and Aquatint available for sale on composition gallery

James Rosenquist

SPOKES (green), 1978

Editie / Print

Ets En Aquatint

Contacteer Ons

James Rosenquist The Kabuki Blushes mixed media print; bold colors, fragmented images, and textured layers creating a surreal atmosphere.

James Rosenquist

The Kabuki Blushes (from Secrets In Carnations), 1986

Editie / Print

Gemengde Techniek.

USD 8,950

James Rosenquist's Certificate 1962 etching showing an arm and fist in a scratchy frame, blending abstract and photorealistic elements.

James Rosenquist

Certificate, 1962

Editie / Print

Ets

Contacteer Ons

James Rosenquist's Tide etching with deep blue geometric and swirling forms, exploring the balance between technology and nature.

James Rosenquist

Tide, 1979

Editie / Print

Ets En Aquatint

Contacteer Ons

Tom Wesselmann, Monica Sitting with Mondrian, screenprint of nude figure in front of Mondrian-inspired geometric background.

James Rosenquist

Somewhere To Light, 1966

Editie / Print

Zeefdruk

USD 6,600

James Rosenquist, Black Star, etching with striped triangle, spiral, black rectangle, and pink diagonal line on paper.

James Rosenquist

Black Star, 1978

Editie / Print

Ets

Contacteer Ons

James Rosenquist, The Book Disappears for the Fast Student 2nd State, etching and aquatint; blue-toned with circular forms and speckled background.

James Rosenquist

The Book Disappears For The Fast Student 2nd State, 1978

Editie / Print

Ets En Aquatint

USD 1,100

James Rosenquist’s Horse Blinders (North), 1972 mixed-media print with wood grain, blue arcs, and reflective silver foil panels.

James Rosenquist

Horse Blinders (North), 1972

Editie / Print

Gemengde Techniek.

USD 5,500

James Rosenquist's Alphabet Avalanche, 1979 lithograph, abstract shapes with vibrant stripes and monochrome fan linked by staircase on dark background.

James Rosenquist

Alphabet Avalanche, 1979

Editie / Print

Lithografie

USD 6,620

James Rosenquist Starfish serigraph with fragmented coin image, vibrant colored stripes, and Guild Hall Easthampton, New York text.

James Rosenquist

Starfish, 1974

Editie / Print

Serigrafie

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James Rosenquist's Spring Cheer, 1st State, 1978 etching and aquatint, featuring red Pegasus, circular patterns, and branch with gradient oval.

James Rosenquist

Spring Cheer, 1st. State , 1978

Editie / Print

Ets En Aquatint

USD 4,250

James Rosenquist's Spokes, etching and aquatint with red circles, multicolored lines, and an abstract orange form on Pescia Italia paper.

James Rosenquist

Spokes , 1977

Editie / Print

Ets En Aquatint

USD 4,390

James Rosenquist Hot Lake etching with colorful abstract shapes including sunburst, striped house, and rainbow arcs, dynamic and surreal.

James Rosenquist

Hot Lake, 1978

Editie / Print

Ets En Aquatint

USD 4,390

James Rosenquist, Flamingo Capsule, screenprint; abstract collage with American flag, metallic textures, and vivid color gradients.

James Rosenquist

Flamingo Capsule, 1973

Editie / Print

Zeefdruk

USD 18,500

James Rosenquist, High Pool, lithograph; two circles, left black with bubbles, right colorful swirl, contrasting stillness and movement.

James Rosenquist

High Pool, 1966

Editie / Print

Lithografie

USD 6,700

James Rosenquist, Circles of Confusion, screenprint; blurred colorful circles with GE logos and white dots on a vibrant background.

James Rosenquist

Circles Of Confusion, 1965

Editie / Print

Zeefdruk

EUR 2,500

James Rosenquist, Gravity Feed, aquatint; multicolored footprints, grayscale square, and diagonal colored lines create a dynamic abstract composition.

James Rosenquist

Gravity Feed, 1978

Editie / Print

Aquatint

USD 2,000 - 3,000

James Rosenquist, Above, lithograph; close-up of horse’s face overlaid with mechanical schematics and ABOVE in large, bold text.

James Rosenquist

Above, 1981

Editie / Print

Lithografie

USD 3,600

James Rosenquist's Sunglass Lens - Landing Net - Triangle, 1974 etching with geometric shapes, black radial lines, exploring perception.

James Rosenquist

Sunglass Lens - Landing Net - Triangle, 1974

Editie / Print

Ets

Contacteer Ons

James Rosenquist New York Says It lithograph and serigraph with flower over New York skyline, red lines and pixel patterns intertwine.

James Rosenquist

New York Says It, 1983

Editie / Print

Lithografie

USD 1,400

James Rosenquist Star Ladder Second State lithograph with bird, star shape, and chaotic lines on the right

James Rosenquist

Star Ladder (Second State), 1978

Editie / Print

Lithografie

USD 3,400

James Rosenquist Rails color lithograph and screenprint with fragmented design featuring lightning bolt, Japanese characters, and abstract shapes

James Rosenquist

Rails, 1975-1976

Editie / Print

Lithografie

USD 9,500

James Rosenquist Pushbuttons lithograph with abstracted hands and mechanical push buttons in monochrome

James Rosenquist

Pushbuttons, 1972

Editie / Print

Lithografie

USD 7,500

James Rosenquist Forehead 2 lithograph with segmented abstract elements including black lines, pink face hint, and swirling strands

James Rosenquist

Forehead 2, 1968

Editie / Print

Lithografie

USD 6,500

James Rosenquist Flameout For Picasso lithograph with red and blue sections, geometric shapes, and textured elements honoring Picasso.

James Rosenquist

Flameout For Picasso, 1973

Editie / Print

Lithografie

USD 4,500

James Rosenquist's Forehead I, 1968 lithograph with bold colors, abstract bars, and swirling red forms, signed and numbered edition of 121.

James Rosenquist

Forehead I, 1968

Editie / Print

Lithografie

Momenteel Niet Beschikbaar

James Rosenquist's lithograph My Mind is a Glass of Water, 1972, depicts a white glass with water against a blue-purple gradient background.

James Rosenquist

My Mind Is A Glass Of Water, 1972

Editie / Print

Lithografie

Momenteel Niet Beschikbaar

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Wat is Appropriation ?
Artwork by Shepard Fairey

Wat is Appropriation ?

Toe-eigening in de kunst omvat het gebruik van bestaande beelden of objecten met weinig tot geen aanpassing. Deze techniek heeft een belangrijke rol gespeeld in verschillende kunstvormen, waaronder beeldende kunst, muziek, performance en literatuur. In de beeldende kunst verwijst toe-eigening naar de praktijk van het adopteren, samplen, recyclen of lenen van elementen—of zelfs hele vormen—van de bestaande visuele cultuur, om ze in nieuwe werken te integreren en zo betekenis te creëren of kritiek te uiten.

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