Sam Francis

Untitled, 1984

106.7 X 73 inch

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Ex Libris

Ed Ruscha, Rubber Bands (State II), lithograph with blue text on buff background, hazy font reading RUBBER BANDS STRETCH REAL FAR UNTIL THEY DON'T.

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Lithograph on buff wove paper // Rubber Bands (State II) (2017) van Ed Ruscha is een limited edition lithografie op buff wove-papier die zijn meesterschap in het combineren van tekst en kunst laat zien. Het werk bevat de zin RUBBER BANDS STRETCH REAL FAR UNTIL THEY DON'T in een gestileerd, wazig blauw lettertype dat in de achtergrond lijkt te vervagen, waardoor een spookachtig, etherisch effect ontstaat. De boodschap, simpel maar diepgaand, weerspiegelt Ruscha's vermogen om diepere betekenissen op te roepen door middel van minimalistische tekst. De zachte, vervaagde randen en het pastelkleurenpalet geven het werk een atmosferische kwaliteit, die de kijker uitnodigt na te denken over de aard van spanning en grenzen.

Artwork Copyright © Ed Ruscha

Ed Ruscha

Rubber Bands (State II), 2017

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95.9 x 66   cm
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Prijs

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Details

Kunstenaar

Stijlen

Lithograph on buff wove paper // Rubber Bands (State II) (2017) van Ed Ruscha is een limited edition lithografie op buff wove-papier die zijn meesterschap in het combineren van tekst en kunst laat zien. Het werk bevat de zin RUBBER BANDS STRETCH REAL FAR UNTIL THEY DON'T in een gestileerd, wazig blauw lettertype dat in de achtergrond lijkt te vervagen, waardoor een spookachtig, etherisch effect ontstaat. De boodschap, simpel maar diepgaand, weerspiegelt Ruscha's vermogen om diepere betekenissen op te roepen door middel van minimalistische tekst. De zachte, vervaagde randen en het pastelkleurenpalet geven het werk een atmosferische kwaliteit, die de kijker uitnodigt na te denken over de aard van spanning en grenzen.

Artwork Copyright © Ed Ruscha
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Ed Ruscha, Sponge Puddle, lithograph, mountain range with bold geometric text over a dusky sky

Ed Ruscha

Sponge Puddle, 2015

Editie / Print

Lithografie

USD 42,000 - 50,000

Ed Ruscha's Mysteries, 2021, lithograph featuring bold white text on a red sky background with overlapping yellow and blue text for depth.

Ed Ruscha

Mysteries, 2021

Editie / Print

Lithografie

Contacteer Ons

Ed Ruscha, History Kids, 2013, lithograph of a snow-covered mountain with bold white text HISTORY KIDS overlaid on a colorful sky.

Ed Ruscha

History Kids, 2013

Editie / Print

Lithografie

USD 50,000 - 60,000

Ed Ruscha, Wall Rocket, 2013, lithograph featuring bold white text over a mountainous landscape in blue, gray, and yellow tones.

Ed Ruscha

Wall Rocket, 2013

Editie / Print

Lithografie

USD 70,000 - 80,000

Ed Ruscha's Zoot Suit, etching in red with vertically stretched text reading Zoot Suit across two panels, minimalist typography style.

Ed Ruscha

Zoot Suit, 2014

Editie / Print

Ets

USD 15,500

Ed Ruscha, Wen Out For Cigrets N Never Came Back, bronze sculpture shaped like a circular open-ended pipe with inscribed text.

Ed Ruscha

Wen Out For Cigrets N Never Came Back, 2017

Sculptuur / Object

Brons

USD 150,000 - 170,000

Ed Ruscha Raw screenprint showing word RAW torn into ochre background with jagged, shadowed paper-like edges.

Ed Ruscha

Raw, 1971

Editie / Print

Zeefdruk

Contacteer Ons

Ed Ruscha He Up and Went Downtown porcelain plate with sepia center and bold black text encircling edge, signed in plate.

Ed Ruscha

He Up And Went Downtown, 2020

Sculptuur / Object

Bord

GBP 2,350

Ed Ruscha Actual Size print with bold yellow SPAM logo and can trailing yellow streak on white speckled background.

Ed Ruscha

Actual Size, 2024

Editie / Print

Gemengde Techniek.

GBP 2,100

Ed RUSCHA | Zoot Soot | Mixed Media available for sale on composition gallery

Ed Ruscha

Zoot Soot, 2013

Editie / Print

Gemengde Techniek.

USD 12,000

Ed Ruscha Boiling Blood Fly lithograph with red-orange field, faint bubbles, and small fly in lower right corner

Ed Ruscha

Boiling Blood, Fly, 1969

Editie / Print

Lithografie

Contacteer Ons

Ed Ruscha Sea of Desire lithograph with orange gradient, black diagonal bars, and faint text overlay in geometric font

Ed Ruscha

Sea Of Desire, 1984

Editie / Print

Lithografie

USD 30,000 - 40,000

Ed Ruscha Note screenprint on sandpaper showing a dissolving black musical note with textured smudge effect to the right.

Ed Ruscha

Note, 2018

Editie / Print

Zeefdruk

Contacteer Ons

Ed RUSCHA | Main Street | Minimalist Lithograph

Ed Ruscha

Main Street, 1990

Editie / Print

Lithografie

Contacteer Ons

Ed Ruscha Gal Chews Same Piece of Gum bronze sculpture with stenciled text and dark patina on rectangular base.

Ed Ruscha

Gal Chews Same Piece Of Gum, 2021

Sculptuur / Object

Brons

Contacteer Ons

Ed Ruscha Sunliner #7 etching with photorealistic glass of water on a textured dark gray striated background.

Ed Ruscha

Sunliner #7, From Sunliners, 1995

Editie / Print

Ets En Aquatint

USD 4,500

Ed Ruscha Sin – Without lithograph showing word SIN over black-and-white cloudscape with dramatic lighting and contrast

Ed Ruscha

Sin - Without, 2002

Editie / Print

Lithografie

USD 50,000 - 60,000

Ed Ruscha's GOD, 2010 LightJet digital photograph, metallic oval-shaped form with smooth surface, signed edition of 50.

Ed Ruscha

GOD, 2010

Editie / Print

Foto

EUR 6,000

Ed Ruscha's Castiron Calendar print, white industrial-style text on sepia background with stenciled, weathered effect.

Ed Ruscha

Castiron Calendar, 2023

Editie / Print

Gemengde Techniek.

Contacteer Ons

Ed Ruscha's Cash for Tolls 1, 2014 mixographia print, features rust-textured surface with bold text in block letters, mimicking a corroded metal sign.

Ed Ruscha

Cash For Tolls 1 (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Cash for Tolls 2, 2014 mixographia print, mimics a rusted metal sign with bold text reading CASH FOR TOOLS embossed in block letters.

Ed Ruscha

Cash For Tolls 2 (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Dead End II, 2014 mixographia print, mimics a rusted street sign with bold block letters spelling DEAD END, emphasizing texture and decay.

Ed Ruscha

Dead End II (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Dead End III, 2014 mixographia print, simulates a rusted metal sign with bold block letters spelling DEAD END and textured, weathered surface details.

Ed Ruscha

Dead End III (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's For Sale 17 Acres, 2014 mixographia print, depicts a rusted metal sign with bold text reading FOR SALE 17 ACRES embossed on a textured surface.

Ed Ruscha

For Sale 17 Acres (from Rusty Signs), 2014

Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Sin, lithograph, abstract folded forms and cylinder shapes on gradient background with small red and green sphere.

Ed Ruscha

Sin, 1970

Editie / Print

Lithografie

USD 20,000 - 30,000

Ed Ruscha, Rubber Bands (State II), lithograph with blue text on buff background, hazy font reading RUBBER BANDS STRETCH REAL FAR UNTIL THEY DON'T.

Ed Ruscha

Rubber Bands (State II), 2017

Editie / Print

Lithografie

USD 12,000

Ed Ruscha Ex Libris lithograph, bold white text framed by ornate black design on a red-to-blue gradient background.

Ed Ruscha

Ex Libris, 2018

Editie / Print

Lithografie

USD 6,100

Ed Ruscha Open Book With Worm Holes lithograph showing an open book with scattered small holes across white pages, emphasizing minimalism.

Ed Ruscha

Open Book With Worm Holes, 2012

Editie / Print

Lithografie

USD 12,000

Ed Ruscha Books, a portfolio of five photographs showing close-up views of book spines and pages, mostly black and white with one in gold.

Ed Ruscha

Books, 2001

Editie / Print

Foto

USD 18,000

Ed Ruscha, Thinks I, To Myself, 2016, lithograph with reddish-brown serif text fading into a brushstroke effect on a light background.

Ed Ruscha

Thinks I, To Myself, 2016

Editie / Print

Lithografie

USD 17,900

Ed Ruscha, Turbo Tears, 2020, lithograph with bold red text on a textured sandy background, resembling wood grain, hand-signed.

Ed Ruscha

Turbo Tears, 2020

Editie / Print

Lithografie

USD 23,000 - 25,000

Ed Ruscha's Flies and Frog, lithograph, scattered flies with blue border and a frog illustration in the bottom right, 1969.

Ed Ruscha

Flies And Frog, 1969

Editie / Print

Lithografie

USD 6,900

Ed Ruscha Science Is Truth Found Out print on silk twill with bold text over a blurred gradient from deep red to dark tones.

Ed Ruscha

Science Is Truth Found Out, 2022

Editie / Print

Gemengde Techniek.

USD 2,450

Ed Ruscha’s Metro Mattress #4, mixed-media print of two worn mattresses stacked on each other with stains and frayed edges.

Ed Ruscha

Metro Mattress #4, 2015/2017

Editie / Print

Gemengde Techniek.

EUR 2,500 - 4,000

Ed Ruscha, Flies, serigraph, wood-textured background with scattered small flies, minimalistic insect-focused composition.

Ed Ruscha

Flies, 1972

Editie / Print

Serigrafie

Contacteer Ons

Ed Ruscha's Standard Station, screen print, depicting a stylized gas station with red, white, and blue colors against an orange-blue gradient sky

Ed Ruscha

Standard Station, 1966

Editie / Print

Zeefdruk

Momenteel Niet Beschikbaar

Ed Ruscha's Hollywood, screen print, features a sunset with the Hollywood sign fading into the horizon against an orange sky.

Ed Ruscha

Hollywood, 1968

Editie / Print

Zeefdruk

Momenteel Niet Beschikbaar

Ed Ruscha's Ghost Station, relief print on Mixografia paper, minimal white depiction of a gas station with embossed lines.

Ed Ruscha

Ghost Station, 2011

Editie / Print

Reliëf Print

Momenteel Niet Beschikbaar

Ed Ruscha's Safe and Effective Medication, lithograph, displays bold text on a cloudy background, contrasting assurance with ominous imagery.

Ed Ruscha

Safe And Effective Medication, 2001

Editie / Print

Lithografie

Momenteel Niet Beschikbaar

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Wat is Nieuwe topografie?
Artwork by Bernd & Hilla Becher

Wat is Nieuwe topografie?

New Topographics is een term die in 1975 werd bedacht door curator William Jenkins om een groep fotografen te beschrijven wiens werk zich richtte op formele zwart-witbeelden van stedelijke en industriële landschappen. Jenkins beschreef hun esthetiek aanvankelijk als banaal, maar de fotografen zelf beweerden dat hun composities net zo belangrijk waren als die van natuurlijke landschappen, waarbij de nadruk lag op de schoonheid van alledaagse, door de mens gemaakte omgevingen.

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