Sam Francis

Untitled, 1984

106.7 X 73 inch

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Pearl Dust Combination from the Insects Portfolio

Ed Ruscha Red Ants from the Insects Portfolio screenprint with dense red ants scattered on pale paper

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Screenprint on Fabriano Classico glazed-finish watercolor paper. Red Ants from the Insects Portfolio van Ed Ruscha is een zeefdruk uit 1972 op Fabriano Classico aquarelpapier met glanzende afwerking, uitgegeven in een oplage van 100. Met afmetingen van 20 1/8 x 27 inch is het beeld dicht gevuld met kleine rode mieren die zich over een licht vlak verspreiden. In tegenstelling tot meer ingetogen composities binnen de reeks vormen de mieren hier duidelijke clusters en zwermen, wat een gevoel van beweging en visuele intensiteit oproept. Het scherpe drukbeeld contrasteert met het verfijnde papier en benadrukt Ruscha’s conceptuele benadering van herhaling en alledaagse motieven.

Artwork Copyright © Ed Ruscha

Ed Ruscha

Red Ants from the Insects Portfolio, 1972

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51.1 x 68.6   cm
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Screenprint on Fabriano Classico glazed-finish watercolor paper. Red Ants from the Insects Portfolio van Ed Ruscha is een zeefdruk uit 1972 op Fabriano Classico aquarelpapier met glanzende afwerking, uitgegeven in een oplage van 100. Met afmetingen van 20 1/8 x 27 inch is het beeld dicht gevuld met kleine rode mieren die zich over een licht vlak verspreiden. In tegenstelling tot meer ingetogen composities binnen de reeks vormen de mieren hier duidelijke clusters en zwermen, wat een gevoel van beweging en visuele intensiteit oproept. Het scherpe drukbeeld contrasteert met het verfijnde papier en benadrukt Ruscha’s conceptuele benadering van herhaling en alledaagse motieven.

Artwork Copyright © Ed Ruscha
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Ed Ruscha Red Ants from the Insects Portfolio screenprint with dense red ants scattered on pale paper

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Red Ants From The Insects Portfolio, 1972

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Ed Ruscha Pearl Dust Combination screenprint with pearl dust showing scattered insects on shimmering paper

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Pearl Dust Combination From The Insects Portfolio, 1972

Editie / Print

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Ed Ruscha Black Ants from the Insects Portfolio screenprint on wood veneer with scattered black ants on pale grain

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Black Ants From The Insects Portfolio, 1972

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Ed Ruscha Cockroaches from the Insects Portfolio screen print with scattered cockroaches on pale wood grain surface

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Cockroaches From The Insects Portfolio, 1972

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Ed Ruscha Swarm of Red Ants screenprint showing hundreds of red ants spiraling outward on a beige background.

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Ed Ruscha Boiling Blood Fly lithograph with red-orange field, faint bubbles, and small fly in lower right corner

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Ed Ruscha Sea of Desire lithograph with orange gradient, black diagonal bars, and faint text overlay in geometric font

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Editie / Print

Lithografie

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Sculptuur / Object

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Ed Ruscha Sunliner #7 etching with photorealistic glass of water on a textured dark gray striated background.

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USD 4,500

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Editie / Print

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Ed Ruscha's GOD, 2010 LightJet digital photograph, metallic oval-shaped form with smooth surface, signed edition of 50.

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Editie / Print

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Editie / Print

Gemengde Techniek.

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Ed Ruscha's Cash for Tolls 1, 2014 mixographia print, features rust-textured surface with bold text in block letters, mimicking a corroded metal sign.

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Editie / Print

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Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

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Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

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Editie / Print

Gemengde Techniek.

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Editie / Print

Lithografie

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Editie / Print

Lithografie

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Ed Ruscha Ex Libris lithograph, bold white text framed by ornate black design on a red-to-blue gradient background.

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Editie / Print

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Editie / Print

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Editie / Print

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Ed Ruscha

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Editie / Print

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Editie / Print

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Momenteel Niet Beschikbaar

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Editie / Print

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Editie / Print

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Momenteel Niet Beschikbaar

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Editie / Print

Lithografie

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Safe And Effective Medication, 2001

Editie / Print

Lithografie

Momenteel Niet Beschikbaar

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Wat is Nieuwe topografie?
Artwork by Bernd & Hilla Becher

Wat is Nieuwe topografie?

New Topographics is een term die in 1975 werd bedacht door curator William Jenkins om een groep fotografen te beschrijven wiens werk zich richtte op formele zwart-witbeelden van stedelijke en industriële landschappen. Jenkins beschreef hun esthetiek aanvankelijk als banaal, maar de fotografen zelf beweerden dat hun composities net zo belangrijk waren als die van natuurlijke landschappen, waarbij de nadruk lag op de schoonheid van alledaagse, door de mens gemaakte omgevingen.

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