
Details
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Edition of 78 James Rosenquist (born 1933) along with andy Warhol and Roy Lichtenstein is a first generation member of the pop art movement in America. He began his career as a billboard painter and then used that experience to create massive paintings that seem to take in all of American popular culture: cars, missiles, consumer items, sex, movies etc…. He has had retrospectives at the Whitney Museum and the Guggenheim. James Rosenquist was born in Grand Forks, North Dakota. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. His most famous painting, F-Ill, is eighty-six feet long and shares many of the characteristics of a billboard. The preference for anonymity in his subjects carried through to the print media. Rosenquist has made a number of screen prints and etchings, but most of his graphics are lithographs. His prints have frequently been exhibited in galleries and museums and at biennials internationally. They can be found in many permanent collections including those of the Museum of Modern Art, New York, the Musee d'Art Moderne, Paris, and the Art Gallery of Ontario, Toronto
Diver's Line, 1978
Form
Mittel
Größe
71 x 101 cm
- Inch
- Zentimeter
Edition
Preis
Details
Künstler
Stile
Edition of 78 James Rosenquist (born 1933) along with andy Warhol and Roy Lichtenstein is a first generation member of the pop art movement in America. He began his career as a billboard painter and then used that experience to create massive paintings that seem to take in all of American popular culture: cars, missiles, consumer items, sex, movies etc…. He has had retrospectives at the Whitney Museum and the Guggenheim. James Rosenquist was born in Grand Forks, North Dakota. When he was a high school student he won a scholarship to study at the Minneapolis School of Art. He was further educated at the University of Minnesota and the Art Students League in New York. He also attended drawing classes organized by Jack Youngerman and Robert Indiana; at the same time, he was designing store windows and painting billboards to earn a living. This commercial experience led decisively to his particular pop style. His most famous painting, F-Ill, is eighty-six feet long and shares many of the characteristics of a billboard. The preference for anonymity in his subjects carried through to the print media. Rosenquist has made a number of screen prints and etchings, but most of his graphics are lithographs. His prints have frequently been exhibited in galleries and museums and at biennials internationally. They can be found in many permanent collections including those of the Museum of Modern Art, New York, the Musee d'Art Moderne, Paris, and the Art Gallery of Ontario, Toronto
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James Rosenquist
Where The Water Goes (from The Welcome To The Water Planet), 1989
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Collage
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James Rosenquist
Federal Spending (second State), 1978
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Radierung Und Aquatinta
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James Rosenquist
A Pale Angels Halo (Yellow), 1973
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Lithographie
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James Rosenquist
Federal Spending, 1978
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Radierung Und Aquatinta
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James Rosenquist
Just Desert Israel 2nd State, 1979
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Mischtechnik
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James Rosenquist
Window Washer Glass House (black And White), 1978
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Mischtechnik
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James Rosenquist
The Flame Still Dances On Leos Book, 1997
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Lithographie
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James Rosenquist
SPOKES (green), 1978
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Radierung Und Aquatinta
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James Rosenquist
The Kabuki Blushes (from Secrets In Carnations), 1986
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Mischtechnik
USD 8,950
James Rosenquist
The Book Disappears For The Fast Student 2nd State, 1978
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Radierung Und Aquatinta
USD 1,100
James Rosenquist
Spring Cheer, 1st. State , 1978
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Radierung Und Aquatinta
USD 4,250
James Rosenquist
Sunglass Lens - Landing Net - Triangle, 1974
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Radierung
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Was ist Popart?
Pop-Art ist eine Kunstbewegung, die 1955 in Großbritannien und Ende der 1950er Jahre in den USA begann. Sie stellte die Tradition der schönen Künste infrage, indem sie Bilder aus der Populärkultur, wie Nachrichten, Werbung und Comics, einbezog. Pop-Art isoliert oft Materialien und stellt sie in neue Kontexte, indem sie sie mit nicht verwandten Elementen kombiniert. Die Bewegung bezieht sich eher auf die Einstellungen und Ideen, die sie hervorgebracht haben, als auf die Kunst selbst. Pop-Art wird als Reaktion auf die dominanten Ideen des abstrakten Expressionismus interpretiert und bringt die Alltagskultur in den Bereich der bildenden Kunst.