Sam Francis

Untitled, 1984

106.7 X 73 inch

What is Carborundum?

What is Carborundum?

Carborundum is the trademark name for silicon carbide crystals, an abrasive material commonly used in sandpaper, cutting tools, and grinding wheels. Originally, artists used carborundum for grinding lithography stones. In collagraph printmaking, it is applied to plates to create texture and tone gradients, adding depth and contrast to the prints.

Georg Jiri Dokoupil

Goldblau, 2018

Limited Edition Print

Carborundum

Currently Not Available

Antoni Clave

La Gloire Des Rols I, 1975

Limited Edition Print

Carborundum

EUR 1,250

Otto Piene

Zyklop Gelb, 1984

Limited Edition Print

Carborundum

EUR 2,400

Antoni Clave

Untitled (Textured Remnants), 1970

Limited Edition Print

Carborundum

EUR 1,130

Antoni Clave

El guant, 1971

Limited Edition Print

Carborundum

Currently Not Available

Jasper Johns

Untitled (Faces on purple), 1988

Limited Edition Print

Carborundum

USD 21,000 - 30,000

Jasper Johns

Untitled - Faces (ULAE 243), 1988

Limited Edition Print

Carborundum

USD 41,000 - 45,000

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Superflat

Superflat is an art movement founded by Takashi Murakami, heavily influenced by anime and manga. The term Superflat refers to the flattened forms found in Japanese animation, graphic art, fine arts, and pop culture, as well as the perceived superficiality of Japanese culture. Murakami's movement, which he self-proclaimed, is considered postmodern and critiques both the depth and shallowness of contemporary Japanese society. Superflat has been highly influential in bridging the gap between high art and popular culture.

Browser Art

Browser art is a form of renegade art where artists use computers to transform code, website structures, and server links into visual material. These artists, often called net artists or net writers, manipulate computer code to create artworks that transform web pages into entirely different images or experiences.

New Topographics

New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.

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