Sam Francis

Untitled, 1984

106.7 X 73 inch

Yang Shao Bin No. 9 lithograph depicting two distorted faces in intense, violent struggle with bold red and orange tones.

// No. 9 by Yang Shao Bin is a powerful lithograph from 2003 that conveys raw emotion and visceral tension. This limited-edition print, notable for its bold, contrasting tones of red, orange, and flesh, depicts two distorted faces in a fierce, almost grotesque interaction. The figures appear locked in a primal struggle, with one man's face stretched and pulled by the other’s intense grip, while expressions of agony and rage dominate. The dripping lines of color emphasize the intensity and fluidity of the scene, adding to the sense of physicality and violence. Yang Shao Bin's work often explores themes of human conflict and psychological pain, and No. 9 is a compelling study of aggression and vulnerability.

Artwork Copyright © Yang Shao Bin

No. 9, 2003

form

Medium

Edition

// No. 9 by Yang Shao Bin is a powerful lithograph from 2003 that conveys raw emotion and visceral tension. This limited-edition print, notable for its bold, contrasting tones of red, orange, and flesh, depicts two distorted faces in a fierce, almost grotesque interaction. The figures appear locked in a primal struggle, with one man's face stretched and pulled by the other’s intense grip, while expressions of agony and rage dominate. The dripping lines of color emphasize the intensity and fluidity of the scene, adding to the sense of physicality and violence. Yang Shao Bin's work often explores themes of human conflict and psychological pain, and No. 9 is a compelling study of aggression and vulnerability.

Artwork Copyright © Yang Shao Bin

Yang Shao Bin

No. 9, 2003

Limited Edition Print

Lithograph

Currently Not Available

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What is Gestural?

Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.

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