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Etching, aquatint, carborundum and collagraph // Imperial Academy 1 by Su Xiaobai is a limited edition print created through a complex mix of etching, aquatint, carborundum, and collagraph techniques. This 2018 piece exudes a meditative quality, dominated by a vertical textured field in earthy tones. The central section appears almost weathered, suggesting the passage of time or layers worn down by nature. The side borders are a stark, deep black, framing the textured center and creating a contrast that emphasizes the tactile surface of the central section. Su Xiaobai’s work often merges traditional Chinese aesthetics with modern abstraction, and here, the rugged, textural quality evokes a feeling of historical depth, akin to aged, worn walls or scrolls. This composition, measuring 64 cm by 59.5 cm, invites viewers to explore its layered surfaces and the intersection of tradition with contemporary art forms.
Imperial Academy 1, 2018
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Medium
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64 x 59.5 cm
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Details
Artist
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Etching, aquatint, carborundum and collagraph // Imperial Academy 1 by Su Xiaobai is a limited edition print created through a complex mix of etching, aquatint, carborundum, and collagraph techniques. This 2018 piece exudes a meditative quality, dominated by a vertical textured field in earthy tones. The central section appears almost weathered, suggesting the passage of time or layers worn down by nature. The side borders are a stark, deep black, framing the textured center and creating a contrast that emphasizes the tactile surface of the central section. Su Xiaobai’s work often merges traditional Chinese aesthetics with modern abstraction, and here, the rugged, textural quality evokes a feeling of historical depth, akin to aged, worn walls or scrolls. This composition, measuring 64 cm by 59.5 cm, invites viewers to explore its layered surfaces and the intersection of tradition with contemporary art forms.
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What is Chinese contemporary art?
Chinese Contemporary Art is marked by a wide range of styles and experimental approaches. In the 1980s, avant-garde exhibitions were often shut down by government officials. The 1990s saw the rise of political pop and cynical realism, while China's One-Child Policy influenced artists to explore the individual as a subject matter.