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Photoetching and aquatint // Big Inkstone 4 by Su Xiaobai is a limited edition etching and aquatint created in 2018. The work presents a deep, almost monochromatic square composition that evokes the textured, aged surface of an inkstone. The artist uses dark, earthy tones with subtle variations, accentuated by worn edges and faint circular impressions, giving the piece a meditative and timeless quality. This artwork’s heavy texture and restrained color palette reflect Su Xiaobai's fascination with materiality and the passage of time, inviting viewers to contemplate the natural beauty found in simplicity and imperfection. The piece conveys a quiet intensity, reminiscent of ancient stone or weathered walls.
Big Inkstone 4, 2018
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Medium
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76 x 77 cm
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Details
Artist
Styles
Photoetching and aquatint // Big Inkstone 4 by Su Xiaobai is a limited edition etching and aquatint created in 2018. The work presents a deep, almost monochromatic square composition that evokes the textured, aged surface of an inkstone. The artist uses dark, earthy tones with subtle variations, accentuated by worn edges and faint circular impressions, giving the piece a meditative and timeless quality. This artwork’s heavy texture and restrained color palette reflect Su Xiaobai's fascination with materiality and the passage of time, inviting viewers to contemplate the natural beauty found in simplicity and imperfection. The piece conveys a quiet intensity, reminiscent of ancient stone or weathered walls.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.