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Photoetching and aquatint // Big Inkstone 2 by Su Xiaobai, created in 2016, is a limited edition photoetching and aquatint that showcases the artist's focus on texture, depth, and minimalism. This print, part of an edition of 40, features a square composition with a dark, almost weathered surface, bordered by subtle shades of earthy tones. The central form appears nearly indistinct, with faint circular lines and distressed textures that evoke the surface of a well-used inkstone, a traditional tool in Chinese calligraphy. Xiaobai’s work often reflects a meditative quality, merging Eastern aesthetics with abstract minimalism. Measuring 76 cm by 77 cm, Big Inkstone 2 invites viewers to engage with its tactile quality and contemplate the interplay of light, shadow, and surface, capturing a sense of quiet contemplation and timelessness.
Big Inkstone 2 , 2016
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76 x 77 cm
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Details
Artist
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Photoetching and aquatint // Big Inkstone 2 by Su Xiaobai, created in 2016, is a limited edition photoetching and aquatint that showcases the artist's focus on texture, depth, and minimalism. This print, part of an edition of 40, features a square composition with a dark, almost weathered surface, bordered by subtle shades of earthy tones. The central form appears nearly indistinct, with faint circular lines and distressed textures that evoke the surface of a well-used inkstone, a traditional tool in Chinese calligraphy. Xiaobai’s work often reflects a meditative quality, merging Eastern aesthetics with abstract minimalism. Measuring 76 cm by 77 cm, Big Inkstone 2 invites viewers to engage with its tactile quality and contemplate the interplay of light, shadow, and surface, capturing a sense of quiet contemplation and timelessness.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
