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Screenprint on museum board. Signed and numbered in pencil. Published by International Images, Inc., Putney, Vermont; printed by Screened Images, Port Washington, New York. Tom Wesselmann’s Nude and Mirror (1990) is a large-scale screenprint that exemplifies his iconic contribution to American Pop Art. Rendered in bold black lines on a stark white background, the image depicts a faceless nude woman seated in front of a vanity mirror, captured mid-motion as she adjusts her hair. The simplified forms, flatness, and lack of facial detail emphasize Wesselmann’s focus on form, contour, and erotic suggestion, rather than identity. The mirror and flower vase introduce domestic intimacy, while the composition evokes both classical nudes and commercial illustration. Published by International Images, Inc., and printed by Screened Images, the edition is limited to 100, signed and numbered in pencil.
Nude and Mirror, 1990
form
Medium
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147.3 x 167.6 cm
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Details
Artist
Styles
Screenprint on museum board. Signed and numbered in pencil. Published by International Images, Inc., Putney, Vermont; printed by Screened Images, Port Washington, New York. Tom Wesselmann’s Nude and Mirror (1990) is a large-scale screenprint that exemplifies his iconic contribution to American Pop Art. Rendered in bold black lines on a stark white background, the image depicts a faceless nude woman seated in front of a vanity mirror, captured mid-motion as she adjusts her hair. The simplified forms, flatness, and lack of facial detail emphasize Wesselmann’s focus on form, contour, and erotic suggestion, rather than identity. The mirror and flower vase introduce domestic intimacy, while the composition evokes both classical nudes and commercial illustration. Published by International Images, Inc., and printed by Screened Images, the edition is limited to 100, signed and numbered in pencil.
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
