Sam Francis

Untitled, 1984

106.7 X 73 inch

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Volti (faces)

Sandro Chia's Figure con albero, 1994, vibrant ceramic sculpture with three abstract figures and a green stylized tree as background.

Acrylic and oil on hand-painted ceramic. - Support: cement and iron - Signed on the base. - Bibliography: Sandro Chia, Sculpture, Figures with Tree and. Domestica, 1994, p. 10-11 - M. Pratesi: "De Statua - Aspects Of Italian Sculpture Of The Twentieth Century" 2003, Ed. Masso delle Fate, Signa (FI), p. 81. // Sandro Chia’s Figure con albero is a hand-painted ceramic sculpture created in 1994. The piece depicts a trio of abstracted figures, positioned in a dynamic and intimate grouping, set against a stylized tree. The vibrant use of acrylic and oil paints brings a sense of immediacy and energy to the work, with bold colors like yellow, black, and pink applied to emphasize the flowing forms of the figures. The tree, rendered in green, serves as a backdrop that adds both depth and symbolism, possibly referencing themes of growth, shelter, or rootedness. The rough, textured surface of the ceramic creates a tactile quality, further enhancing the expressive nature of the sculpture.Chia, a key figure in the Transavanguardia movement, often explores the human condition, mythological themes, and classical forms through his works. In Figure con albero, the intertwining figures seem to suggest a narrative of connection, protection, or familial bonds, all conveyed through Chia’s characteristically dynamic, expressive style. Signed on the base, the sculpture is supported by cement and iron, grounding its sculptural presence both physically and conceptually.

Artwork Copyright © Sandro Chia

Figure con albero, 1994

form

Medium

Edition

Acrylic and oil on hand-painted ceramic. - Support: cement and iron - Signed on the base. - Bibliography: Sandro Chia, Sculpture, Figures with Tree and. Domestica, 1994, p. 10-11 - M. Pratesi: "De Statua - Aspects Of Italian Sculpture Of The Twentieth Century" 2003, Ed. Masso delle Fate, Signa (FI), p. 81. // Sandro Chia’s Figure con albero is a hand-painted ceramic sculpture created in 1994. The piece depicts a trio of abstracted figures, positioned in a dynamic and intimate grouping, set against a stylized tree. The vibrant use of acrylic and oil paints brings a sense of immediacy and energy to the work, with bold colors like yellow, black, and pink applied to emphasize the flowing forms of the figures. The tree, rendered in green, serves as a backdrop that adds both depth and symbolism, possibly referencing themes of growth, shelter, or rootedness. The rough, textured surface of the ceramic creates a tactile quality, further enhancing the expressive nature of the sculpture.Chia, a key figure in the Transavanguardia movement, often explores the human condition, mythological themes, and classical forms through his works. In Figure con albero, the intertwining figures seem to suggest a narrative of connection, protection, or familial bonds, all conveyed through Chia’s characteristically dynamic, expressive style. Signed on the base, the sculpture is supported by cement and iron, grounding its sculptural presence both physically and conceptually.

Artwork Copyright © Sandro Chia

Sandro Chia

Untitled (Columbus: In Search Of A New Tomorrow), 1992

Limited Edition Print

Screen-print

Inquire For Price

Sandro Chia

Senza Titolo (Tavolo), 2001

Sculpture / Object

Mixed Media

Inquire For Price

Sandro Chia

Lonely Explore, 1991

Limited Edition Print

Lithograph

EUR 1,900

Sandro Chia

Elektra, 1995

Limited Edition Print

Mixed Media

EUR 2,500

Sandro Chia

Figure Con Albero, 1994

Sculpture / Object

Ceramic

EUR 7,300

Sandro Chia

Volti (faces)

Limited Edition Print

Etching And Aquatint

EUR 1,300

Sandro Chia

Untitled (Portrait), 1991

Limited Edition Print

Etching

EUR 2,100

Sandro Chia

Figura, 1974

Painting

Oil On Canvas

EUR 9,500

Sandro Chia

Disegno Di Donna, 1974

Painting

Oil On Canvas

EUR 9,500

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Postmodernism is an art movement that emerged as a reaction against authority and traditional boundaries, seeking to blur the lines between art and everyday life. It aimed to bridge the gap between the cultural elite and the general public by embracing eclectic mixtures of earlier conventions and styles. Postmodernist art often challenges established norms and celebrates diversity, irony, and pastiche, making it a movement that reflects the complexities of contemporary culture.

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