Details
Artist
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silkscreen ink on Sintra // Instructions by Rudolf Stingel is a limited edition silkscreen print created in 1989. Using black-and-white photographic images accompanied by text, this piece serves as a visual guide on various art-making techniques, emphasizing the materiality and process of creation. The montage-like layout shows hands mixing, rolling, and manipulating materials, echoing instructional manuals while blending art with a practical guide. The use of Sintra as the substrate enhances the piece's durability and gives it a slightly industrial feel. With only five copies and five artist proofs, Instructions is a rare piece that encapsulates Stingel’s conceptual approach, bridging art and instructional text.
Instructions, 1989
form
Medium
Size
155 x 107 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
silkscreen ink on Sintra // Instructions by Rudolf Stingel is a limited edition silkscreen print created in 1989. Using black-and-white photographic images accompanied by text, this piece serves as a visual guide on various art-making techniques, emphasizing the materiality and process of creation. The montage-like layout shows hands mixing, rolling, and manipulating materials, echoing instructional manuals while blending art with a practical guide. The use of Sintra as the substrate enhances the piece's durability and gives it a slightly industrial feel. With only five copies and five artist proofs, Instructions is a rare piece that encapsulates Stingel’s conceptual approach, bridging art and instructional text.
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
