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Artist's book with original screen print in slipcase. - "Pierre Klossowski/Pierre Zucca: living money (1982)" - Each print is overpainted with gold color - each work is therefore unique // Life 3 by Rosemarie Trockel, created in 2005, is a silkscreen print that merges contemporary art with iconic imagery from popular culture. This limited edition piece, part of an artist’s book, reinterprets the cover of Life magazine dated November 2, 1964, featuring Shirley Eaton in her famous role as the gold-painted woman from the James Bond film Goldfinger. The print is overlaid with a metallic sheen, emphasizing the allure and commercialization of femininity in media. By revisiting and reworking such an iconic image, Trockel critiques societal constructs around beauty, identity, and celebrity. Each print in the edition is overpainted with gold, making every piece unique and reinforcing the themes of individuality and mass production.
Details
Artist
Styles
Artist's book with original screen print in slipcase. - "Pierre Klossowski/Pierre Zucca: living money (1982)" - Each print is overpainted with gold color - each work is therefore unique // Life 3 by Rosemarie Trockel, created in 2005, is a silkscreen print that merges contemporary art with iconic imagery from popular culture. This limited edition piece, part of an artist’s book, reinterprets the cover of Life magazine dated November 2, 1964, featuring Shirley Eaton in her famous role as the gold-painted woman from the James Bond film Goldfinger. The print is overlaid with a metallic sheen, emphasizing the allure and commercialization of femininity in media. By revisiting and reworking such an iconic image, Trockel critiques societal constructs around beauty, identity, and celebrity. Each print in the edition is overpainted with gold, making every piece unique and reinforcing the themes of individuality and mass production.
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Rosemarie Trockel
Life 1, 2005
Limited Edition Print
Silkscreen
Currently Not Available
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Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.
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