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Artist's book with original screen print in slipcase. - "Pierre Klossowski/Pierre Zucca: living money (1982)" - Each print is overpainted with gold color - each work is therefore unique // Life 1 by Rosemarie Trockel, created in 2005, is a silkscreen print that revisits and manipulates a famous Life magazine cover from November 2, 1964, featuring actress Shirley Eaton in her iconic gold-painted role from the James Bond film Goldfinger. Trockel’s work overlays the original imagery with gold paint, making each print in the limited edition series a unique piece. The deliberate use of metallic gold emphasizes the themes of glamour, commodification, and the objectification of women in popular culture. By altering this classic image, Trockel critiques the allure and fetishization present in media representations of femininity. The gold overlays transform the piece, merging nostalgia with contemporary commentary on identity and societal values.
Life 1, 2005
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Medium
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120 x 90 cm
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Details
Artist
Styles
Artist's book with original screen print in slipcase. - "Pierre Klossowski/Pierre Zucca: living money (1982)" - Each print is overpainted with gold color - each work is therefore unique // Life 1 by Rosemarie Trockel, created in 2005, is a silkscreen print that revisits and manipulates a famous Life magazine cover from November 2, 1964, featuring actress Shirley Eaton in her iconic gold-painted role from the James Bond film Goldfinger. Trockel’s work overlays the original imagery with gold paint, making each print in the limited edition series a unique piece. The deliberate use of metallic gold emphasizes the themes of glamour, commodification, and the objectification of women in popular culture. By altering this classic image, Trockel critiques the allure and fetishization present in media representations of femininity. The gold overlays transform the piece, merging nostalgia with contemporary commentary on identity and societal values.
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What is feminist art?
Feminist art refers to the art that emerged from the feminist art movement during the 1960s and 1970s. It developed with the intention of critiquing 20th-century gender ideals and challenging the traditional canon of art history. Feminist art seeks to create a dialogue between the artwork and the viewer through a feminist lens, often addressing issues of gender, identity, and social justic