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Lithograph on Somerset paper // Without Title by Olivier Mosset, created in 2018, is a minimalist lithograph that exemplifies Mosset's exploration of monochromatic surfaces and abstraction. Printed on Somerset paper, the work is a large, square field of deep, rich color—an intense and dark shade that appears to shift subtly under different lighting, drawing the viewer into a contemplative space. Mosset, known for his commitment to reductive art, avoids any representational elements, focusing instead on pure color and form to invite reflection on perception itself. This piece challenges viewers to engage with the artwork beyond traditional subject matter, exploring color as the central subject.
Without Title, 2018
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70 x 70 cm
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Details
Artist
Styles
Lithograph on Somerset paper // Without Title by Olivier Mosset, created in 2018, is a minimalist lithograph that exemplifies Mosset's exploration of monochromatic surfaces and abstraction. Printed on Somerset paper, the work is a large, square field of deep, rich color—an intense and dark shade that appears to shift subtly under different lighting, drawing the viewer into a contemplative space. Mosset, known for his commitment to reductive art, avoids any representational elements, focusing instead on pure color and form to invite reflection on perception itself. This piece challenges viewers to engage with the artwork beyond traditional subject matter, exploring color as the central subject.
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Olivier Mosset
Banana Saddle ( Red ), 2019
Sculpture / Object
Mixed Media
EUR 3,500
Olivier Mosset
Banana Saddle (yellow), 2019
Sculpture / Object
Mixed Media
EUR 3,500
Olivier Mosset
Banana Saddle (blue), 2019
Sculpture / Object
Mixed Media
EUR 3,500
Olivier Mosset
Untitled (Solo & Pillon Saddle), 2019
Sculpture / Object
Mixed Media
EUR 3,500
Olivier Mosset
Without Title, 2018
Limited Edition Print
Lithograph
EUR 2,000
Olivier Mosset
Untitled (Guillotine), 2017
Limited Edition Print
Lithograph
EUR 2,000
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
