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Lithograph on Somerset paper // Untitled (Guillotine) by Olivier Mosset, created in 2017, is a minimalist lithograph that emphasizes geometric abstraction. Printed on Somerset paper, this limited edition work features a sharp, diagonal gray plane that intersects a stark white background. Mosset, known for his dedication to simplicity and form, creates a sense of tension and focus through this bold yet restrained composition. The angled shape evokes the edge of a guillotine, suggesting themes of division or finality, yet the piece remains open to interpretation. This work embodies Mosset’s exploration of pure form and challenges viewers to contemplate the essence of line and shape.
Untitled (Guillotine), 2017
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100 x 70 cm
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Price
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Details
Artist
Styles
Lithograph on Somerset paper // Untitled (Guillotine) by Olivier Mosset, created in 2017, is a minimalist lithograph that emphasizes geometric abstraction. Printed on Somerset paper, this limited edition work features a sharp, diagonal gray plane that intersects a stark white background. Mosset, known for his dedication to simplicity and form, creates a sense of tension and focus through this bold yet restrained composition. The angled shape evokes the edge of a guillotine, suggesting themes of division or finality, yet the piece remains open to interpretation. This work embodies Mosset’s exploration of pure form and challenges viewers to contemplate the essence of line and shape.
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Olivier Mosset
Banana Saddle ( Red ), 2019
Sculpture / Object
Mixed Media
EUR 3,500
Olivier Mosset
Banana Saddle (yellow), 2019
Sculpture / Object
Mixed Media
EUR 3,500
Olivier Mosset
Banana Saddle (blue), 2019
Sculpture / Object
Mixed Media
EUR 3,500
Olivier Mosset
Untitled (Solo & Pillon Saddle), 2019
Sculpture / Object
Mixed Media
EUR 3,500
Olivier Mosset
Without Title, 2018
Limited Edition Print
Lithograph
EUR 2,000
Olivier Mosset
Untitled (Guillotine), 2017
Limited Edition Print
Lithograph
EUR 2,000
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
