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Metal, plastic, foam and leather - Edition of 6 pieces (3 Solo & Pillon saddles, in 3 different colors + 3 Banana saddles in 3 different colors) // Untitled (Solo & Pillon saddle) by Olivier Mosset is a sculptural piece that combines industrial materials—metal, plastic, foam, and leather—into a minimalist yet visually intriguing composition. Created in 2019, this artwork features two black saddle-like forms mounted on a textured, partially painted wall. One saddle has a bold red square at its center, contrasting with the sleek black surface, adding a focal point of color to the otherwise understated piece. The piece plays with themes of utilitarian objects and abstraction, giving everyday forms an unexpected presence. Mosset’s exploration of shape, color, and context transforms these saddle forms into sculptural objects that blur the line between functional design and minimalist art.
Untitled (Solo & Pillon saddle), 2019
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61 x 24.5 X 9 cm
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Details
Artist
Styles
Metal, plastic, foam and leather - Edition of 6 pieces (3 Solo & Pillon saddles, in 3 different colors + 3 Banana saddles in 3 different colors) // Untitled (Solo & Pillon saddle) by Olivier Mosset is a sculptural piece that combines industrial materials—metal, plastic, foam, and leather—into a minimalist yet visually intriguing composition. Created in 2019, this artwork features two black saddle-like forms mounted on a textured, partially painted wall. One saddle has a bold red square at its center, contrasting with the sleek black surface, adding a focal point of color to the otherwise understated piece. The piece plays with themes of utilitarian objects and abstraction, giving everyday forms an unexpected presence. Mosset’s exploration of shape, color, and context transforms these saddle forms into sculptural objects that blur the line between functional design and minimalist art.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
