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Metal, plastic, foam and leather - Edition of 6 pieces (3 Solo & Pillon saddles, in 3 different colors + 3 Banana saddles in 3 different colors) // Banana Saddle (Red) by Olivier Mosset is a sculptural piece that transforms an everyday motorcycle saddle into a minimalist art object. Created in 2019 using metal, plastic, foam, and leather, the work presents a sleek black seat with a striking red rectangular insert at its center, drawing attention to its bold, graphic simplicity. Mounted against a textured wall, the piece merges functional design with Mosset's minimalist aesthetic, emphasizing form, color, and material over narrative. Part of a limited edition of six, each saddle in varying colors, Banana Saddle (Red) exemplifies Mosset's approach to reducing objects to their essential visual components, inviting contemplation on the boundaries between art and utilitarian design.
Banana saddle ( red ), 2019
form
Medium
Size
56 x 22.5 X 14 cm
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Details
Artist
Styles
Metal, plastic, foam and leather - Edition of 6 pieces (3 Solo & Pillon saddles, in 3 different colors + 3 Banana saddles in 3 different colors) // Banana Saddle (Red) by Olivier Mosset is a sculptural piece that transforms an everyday motorcycle saddle into a minimalist art object. Created in 2019 using metal, plastic, foam, and leather, the work presents a sleek black seat with a striking red rectangular insert at its center, drawing attention to its bold, graphic simplicity. Mounted against a textured wall, the piece merges functional design with Mosset's minimalist aesthetic, emphasizing form, color, and material over narrative. Part of a limited edition of six, each saddle in varying colors, Banana Saddle (Red) exemplifies Mosset's approach to reducing objects to their essential visual components, inviting contemplation on the boundaries between art and utilitarian design.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
