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// Phantom Lady #22 by Pushpamala N., produced between 1996 and 1998, is a black-and-white gelatin silver print that offers a cinematic, noir-inspired portrayal of a woman in an urban setting. The photograph depicts the figure seated on a bench in what appears to be a deserted train station, surrounded by tracks and signal lights, under a web of overhead wires. The scene captures an atmosphere of solitude and suspense, with the composition suggesting a narrative yet leaving it ambiguous. Pushpamala N., known for her use of self-portraiture and staged photography, often explores themes related to identity, gender, and social roles in Indian society. The Phantom Lady series reinterprets archetypal female figures with a modern twist, questioning traditional representations of women. Limited to an edition of 10, this photograph resonates with the tension and mystery that characterize Pushpamala's unique visual language.
Phantom Lady #22, 1996-1998
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52 x 43 cm
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Details
Artist
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// Phantom Lady #22 by Pushpamala N., produced between 1996 and 1998, is a black-and-white gelatin silver print that offers a cinematic, noir-inspired portrayal of a woman in an urban setting. The photograph depicts the figure seated on a bench in what appears to be a deserted train station, surrounded by tracks and signal lights, under a web of overhead wires. The scene captures an atmosphere of solitude and suspense, with the composition suggesting a narrative yet leaving it ambiguous. Pushpamala N., known for her use of self-portraiture and staged photography, often explores themes related to identity, gender, and social roles in Indian society. The Phantom Lady series reinterprets archetypal female figures with a modern twist, questioning traditional representations of women. Limited to an edition of 10, this photograph resonates with the tension and mystery that characterize Pushpamala's unique visual language.
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What is Contemporary art from India?
Contemporary art from India dates from 1985 to the present, marking the post-liberalization era. During this period, artists have felt free to create independently of traditional Hindu or social conventions. They often incorporate distinctly Indian materials and objects in their work, reflecting a blend of modern ideas and cultural heritage.
