
Details
Artist
Styles
Digital print with screen-printed spot glaze - Signed by the artist on the front, numbered on the reverse? // Marc Quinn’s Prismatic Labyrinth (354 U) (2018) is a striking mixed media limited edition print featuring a vibrant, oval composition filled with swirling, multicolored bands. The artwork uses digital print techniques enhanced with a screen-printed spot glaze, creating a glossy, textured finish that emphasizes the dynamic movement of the colors. The labyrinthine design evokes a sense of depth and complexity, with each color layer appearing to overlap and twist within the oval frame. Known for his exploration of nature, identity, and transformation, Quinn invites viewers to immerse themselves in the mesmerizing, kaleidoscopic quality of this piece. The print measures 70 x 50 cm, signed on the front and numbered on the reverse.
Prismatic Labyrinth (299 U), 2018
form
Medium
Size
70 x 50 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Digital print with screen-printed spot glaze - Signed by the artist on the front, numbered on the reverse? // Marc Quinn’s Prismatic Labyrinth (354 U) (2018) is a striking mixed media limited edition print featuring a vibrant, oval composition filled with swirling, multicolored bands. The artwork uses digital print techniques enhanced with a screen-printed spot glaze, creating a glossy, textured finish that emphasizes the dynamic movement of the colors. The labyrinthine design evokes a sense of depth and complexity, with each color layer appearing to overlap and twist within the oval frame. Known for his exploration of nature, identity, and transformation, Quinn invites viewers to immerse themselves in the mesmerizing, kaleidoscopic quality of this piece. The print measures 70 x 50 cm, signed on the front and numbered on the reverse.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.