Details
Artist
Styles
Archival Pigment Print with Screenprinting and Diamond Dust - 36 inches round - Signed and Numbered // Marc Quinn’s Ice Age (2023) is a striking archival pigment print combined with screenprinting and diamond dust, creating a mesmerizing circular artwork with a diameter of 36 inches. This piece is part of a limited edition of 50, signed and numbered by the artist. The composition features a detailed rendering of an iris in vibrant blues and blacks, blending seamlessly with a global map outline. The fusion of the eye’s organic patterns with the geographic elements reflects themes of interconnectedness, climate change, and the fragility of human and planetary life. The shimmering diamond dust enhances the ethereal quality of the piece, inviting contemplation of humanity’s gaze upon the world.
Ice Age, 2023
form
Medium
Size
91.4 x 91.4 cm
- Inches
- Centimeters
Edition
Range
- USD
- EUR
- GBP
Details
Artist
Styles
Archival Pigment Print with Screenprinting and Diamond Dust - 36 inches round - Signed and Numbered // Marc Quinn’s Ice Age (2023) is a striking archival pigment print combined with screenprinting and diamond dust, creating a mesmerizing circular artwork with a diameter of 36 inches. This piece is part of a limited edition of 50, signed and numbered by the artist. The composition features a detailed rendering of an iris in vibrant blues and blacks, blending seamlessly with a global map outline. The fusion of the eye’s organic patterns with the geographic elements reflects themes of interconnectedness, climate change, and the fragility of human and planetary life. The shimmering diamond dust enhances the ethereal quality of the piece, inviting contemplation of humanity’s gaze upon the world.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
