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Pigment print on 300gsm Somerset paper. Hand-signed.// A jewel-like close-up photograph of exotic orchid-like flowers rendered in vivid magenta and purple tones against a deep black void, At the Far Edges of the Universe 6 belongs to Marc Quinn's remarkable photographic series that trains an intensely magnifying gaze upon the fragile intricacies of natural form. The extreme chromatic saturation and velvety darkness of the background create a jewellery-box presentation that amplifies both the preciousness and the vulnerability of the floral subject. Quinn's exploration of extreme botanical close-ups is simultaneously an act of reverence toward the natural world's overlooked complexity and an elegiac meditation on accelerating extinction and planetary loss. These photographs are not simply representations of nature but ethical interventions in the contemporary moment, asserting the immeasurable value of the smallest, most delicate living organisms as the planet faces what many scientists now call the sixth mass extinction event. The pigment-print process on 300gsm Somerset paper preserves with exceptional fidelity the subtle tonal ranges and chromatic luminosity of the original photograph, producing an object of enduring museum quality. Quinn's jewel-toned florals have become emblematic of his broader artistic project: to render visible the miraculous specificity of life in all its forms, and to insist that beauty and biological wonder remain urgent ethical imperatives even in an age of ecological collapse. This edition exemplifies his most poetic and politically engaged photographic practice.
At the Far Edges of the Universe 6, 2010
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70 x 104 cm
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Details
Artist
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Pigment print on 300gsm Somerset paper. Hand-signed.// A jewel-like close-up photograph of exotic orchid-like flowers rendered in vivid magenta and purple tones against a deep black void, At the Far Edges of the Universe 6 belongs to Marc Quinn's remarkable photographic series that trains an intensely magnifying gaze upon the fragile intricacies of natural form. The extreme chromatic saturation and velvety darkness of the background create a jewellery-box presentation that amplifies both the preciousness and the vulnerability of the floral subject. Quinn's exploration of extreme botanical close-ups is simultaneously an act of reverence toward the natural world's overlooked complexity and an elegiac meditation on accelerating extinction and planetary loss. These photographs are not simply representations of nature but ethical interventions in the contemporary moment, asserting the immeasurable value of the smallest, most delicate living organisms as the planet faces what many scientists now call the sixth mass extinction event. The pigment-print process on 300gsm Somerset paper preserves with exceptional fidelity the subtle tonal ranges and chromatic luminosity of the original photograph, producing an object of enduring museum quality. Quinn's jewel-toned florals have become emblematic of his broader artistic project: to render visible the miraculous specificity of life in all its forms, and to insist that beauty and biological wonder remain urgent ethical imperatives even in an age of ecological collapse. This edition exemplifies his most poetic and politically engaged photographic practice.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
