Sam Francis

Untitled, 1984

106.7 X 73 inch

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Twice Untitled (Traced and Painted)

Louise Lawler Untitled silkscreen with flowing orange contour lines forming abstract distorted patterns on white background.

From the White Columns annual portfolio of prints. The portfolio consists of six individual silkscreen prints by LaKela Brown, Pam Glick, Marcus Jahmal, Louise Lawler, Sam Moyer, Rirkrit Tiravanija. All works are signed and numbered by the artists. Untitled, created by Louise Lawler for the White Columns Print Portfolio in 2024, is a silkscreen that reflects the artist’s longstanding interest in questioning how artworks are presented, reproduced, and perceived. Composed of flowing orange contour lines on a white background, the image appears to dissolve and distort familiar visual references into an abstract, topographic pattern. Rather than presenting a fixed subject, Lawler encourages viewers to consider how meaning shifts through transformation, reproduction, and context. Since the late 1970s, her practice has explored the institutional life of art, examining the relationships between artworks, collectors, museums, and the art market. Published in an edition of 100, this print demonstrates her subtle yet conceptually rich approach to contemporary printmaking.

Artwork Copyright © Louise Lawler

Untitled, from the White Columns Print Portfolio, 2024

form

Medium

Edition

From the White Columns annual portfolio of prints. The portfolio consists of six individual silkscreen prints by LaKela Brown, Pam Glick, Marcus Jahmal, Louise Lawler, Sam Moyer, Rirkrit Tiravanija. All works are signed and numbered by the artists. Untitled, created by Louise Lawler for the White Columns Print Portfolio in 2024, is a silkscreen that reflects the artist’s longstanding interest in questioning how artworks are presented, reproduced, and perceived. Composed of flowing orange contour lines on a white background, the image appears to dissolve and distort familiar visual references into an abstract, topographic pattern. Rather than presenting a fixed subject, Lawler encourages viewers to consider how meaning shifts through transformation, reproduction, and context. Since the late 1970s, her practice has explored the institutional life of art, examining the relationships between artworks, collectors, museums, and the art market. Published in an edition of 100, this print demonstrates her subtle yet conceptually rich approach to contemporary printmaking.

Artwork Copyright © Louise Lawler

Louise Lawler

Untitled, From The White Columns Print Portfolio, 2024

Limited Edition Print

Silkscreen

USD 1,200

Louise Lawler

Twice Untitled (Traced And Painted), 2019

Drawing / Watercolor

Mixed Media

GBP 6,020

Louise Lawler

Pollyanna (adjusted To Fit, Distorted For The Times, More), 2018

Photography

Digital Print On Paper

GBP 1,225

Louise Lawler

Discernible Difference, 2010

Limited Edition Print

Inkjet Print

Currently Not Available

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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