Louise Lawler – Pollyanna (adjusted to fit, distorted for the times, more), 2018 – Digital Print on paper
Digital color print, 180 semi-gloss paper - Stamped and hand numbered - Series: Hors-série # 121
Louise Lawler’s Pollyanna (adjusted to fit, distorted for the times, more) (2018) is a striking digital print that manipulates familiar imagery from the art world. The photograph appears intentionally warped, as if stretched or twisted, distorting the perception of the framed artworks hanging in a gallery space. Bold colors and abstract forms swirl in the altered images, creating a sense of visual disorientation. Lawler’s work often critiques the commercialization and contextualization of art, and this distortion emphasizes how art is reshaped to fit into contemporary cultural and market demands. The warped presentation highlights the instability of meaning and the fluid nature of art interpretation in different contexts.
Artwork Copyright © Louise Lawler
Louise Lawler (USA, 1947) is a conceptual artist and photographer associated with the Pictures Generation. She is renowned for her photographs of artworks in various settings—museums, auction houses, private homes—highlighting the influence of context on art's interpretation. Lawler's work critically examines the art world's presentation and consumption practices.
Artwork Copyright © Louise Lawler

Louise Lawler

Pollyanna (adjusted to fit, distorted for the times, more), 2018

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Digital color print, 180 semi-gloss paper - Stamped and hand numbered - Series: Hors-série # 121
Louise Lawler’s Pollyanna (adjusted to fit, distorted for the times, more) (2018) is a striking digital print that manipulates familiar imagery from the art world. The photograph appears intentionally warped, as if stretched or twisted, distorting the perception of the framed artworks hanging in a gallery space. Bold colors and abstract forms swirl in the altered images, creating a sense of visual disorientation. Lawler’s work often critiques the commercialization and contextualization of art, and this distortion emphasizes how art is reshaped to fit into contemporary cultural and market demands. The warped presentation highlights the instability of meaning and the fluid nature of art interpretation in different contexts.
Artwork Copyright © Louise Lawler
Louise Lawler (USA, 1947) is a conceptual artist and photographer associated with the Pictures Generation. She is renowned for her photographs of artworks in various settings—museums, auction houses, private homes—highlighting the influence of context on art's interpretation. Lawler's work critically examines the art world's presentation and consumption practices.
Artwork Copyright © Louise Lawler
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Louise Lawler – Untitled, from the White Columns Print Portfolio, 2024 – Silkscreen

Louise Lawler

Untitled, from the White Columns Print Portfolio, 2024

Limited Edition Print

Silkscreen

USD 1,200

Louise Lawler – Twice Untitled (Traced and Painted), 2019 – Mixed Media

Louise Lawler

Twice Untitled (Traced and Painted), 2019

Drawing / Watercolor

Mixed Media

GBP 6,020

Louise Lawler – Pollyanna (adjusted to fit, distorted for the times, more), 2018 – Digital Print on paper

Louise Lawler

Pollyanna (adjusted to fit, distorted for the times, more), 2018

Photography

Digital Print on paper

GBP 1,225

Louise Lawler – Discernible Difference, 2010 – Inkjet print

Louise Lawler

Discernible Difference, 2010

Limited Edition Print

Inkjet print

Currently Not Available

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What is appropriation?
Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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Louise Lawler – Pollyanna (adjusted to fit, distorted for the times, more), 2018 – Digital Print on paper

Louise Lawler

Pollyanna (adjusted to fit, distorted for the times, more), 2018

84 x 59.4 cm

Est. 2005 — twenty years of collecting, online.