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Screenprint and lithograph in colors on wove paper. Signed in orange pencil, dated and numbered. With the blindstamps of the publisher/printer, Metropolitan Opera Association/Styria Studio, New York. Madame Butterfly by Larry Rivers, created in 1978 as part of the Metropolitan Opera Fine Art I portfolio, is a striking fusion of American pop iconography and Japanese traditional portraiture. This screenprint and lithograph reinterprets the tragic heroine of Puccini’s opera with a bold, satirical twist. The geisha figure, rendered in a style reminiscent of ukiyo-e woodcuts, is adorned with oversized yellow hairpins resembling missiles or matches, set dramatically against a waving American flag. Rivers critiques themes of cultural collision, exoticism, and nationalism, offering a provocative commentary on East-West relations through a visual dialogue both humorous and unsettling.
Madame Butterfly, from Metropolitan Opera Fine Art I, 1978
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57.2 x 77.2 cm
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Details
Artist
Styles
Screenprint and lithograph in colors on wove paper. Signed in orange pencil, dated and numbered. With the blindstamps of the publisher/printer, Metropolitan Opera Association/Styria Studio, New York. Madame Butterfly by Larry Rivers, created in 1978 as part of the Metropolitan Opera Fine Art I portfolio, is a striking fusion of American pop iconography and Japanese traditional portraiture. This screenprint and lithograph reinterprets the tragic heroine of Puccini’s opera with a bold, satirical twist. The geisha figure, rendered in a style reminiscent of ukiyo-e woodcuts, is adorned with oversized yellow hairpins resembling missiles or matches, set dramatically against a waving American flag. Rivers critiques themes of cultural collision, exoticism, and nationalism, offering a provocative commentary on East-West relations through a visual dialogue both humorous and unsettling.
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Larry Rivers
Madame Butterfly, From Metropolitan Opera Fine Art I, 1978
Limited Edition Print
Mixed Media
USD 1,150
What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
