Sam Francis

Untitled, 1984

106.7 X 73 inch

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The Book of Landscapes II

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Umbral -Dusseldörf

Juan Uslé The Book of Landscapes I, mixed media on parchment-like paper with handwritten notes and dark abstract ink shape.

// The Book of Landscapes I by Juan Uslé, created in 1987, is a mixed media work combining drawing and watercolor, measuring 43.2 x 28 cm. The piece showcases a worn, parchment-like paper with handwritten notations and a dark, inky form at its center. The delicate, almost fragile quality of the material, paired with the abstract and gestural nature of the ink mark, evokes a sense of nostalgia and introspection. Uslé's work often explores themes of memory and time, and this piece reflects those interests by merging textual elements with expressive, painterly forms, inviting the viewer into a contemplative space.

Artwork Copyright © Juan Usle

The Book of Landscapes I, 1987

form

Medium

Edition

// The Book of Landscapes I by Juan Uslé, created in 1987, is a mixed media work combining drawing and watercolor, measuring 43.2 x 28 cm. The piece showcases a worn, parchment-like paper with handwritten notations and a dark, inky form at its center. The delicate, almost fragile quality of the material, paired with the abstract and gestural nature of the ink mark, evokes a sense of nostalgia and introspection. Uslé's work often explores themes of memory and time, and this piece reflects those interests by merging textual elements with expressive, painterly forms, inviting the viewer into a contemplative space.

Artwork Copyright © Juan Usle

Juan Usle

The Book Of Landscapes II, 1987

Drawing / Watercolor

Mixed Media

Inquire For Price

Juan Usle

The Book Of Landscapes I, 1987

Drawing / Watercolor

Mixed Media

Inquire For Price

Juan Usle

Umbral -Dusseldörf, 2001

Photography

Mixed Media

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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