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Neon tubing, signed by the artist. // Wittgenstein's Colour by Joseph Kosuth is a conceptual neon sculpture created in 1989, using bright red neon tubing to display the word (Red) in parentheses. This piece, measuring 16 cm by 38 cm by 2.7 cm, is part of a limited edition of 50 and signed by the artist. The work references philosopher Ludwig Wittgenstein's exploration of language, perception, and color theory, focusing on how words influence our understanding of concepts. By presenting the word “Red” in neon without showing the actual color itself, Kosuth emphasizes the separation between language and the thing it represents. This iconic neon artwork encourages viewers to reflect on the relationship between words, perception, and meaning in everyday life, embodying Kosuth's signature approach to language as a form of art.
Wittgenstein's colour, 1989
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16 x 38 X 2.7 cm
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Details
Artist
Styles
Neon tubing, signed by the artist. // Wittgenstein's Colour by Joseph Kosuth is a conceptual neon sculpture created in 1989, using bright red neon tubing to display the word (Red) in parentheses. This piece, measuring 16 cm by 38 cm by 2.7 cm, is part of a limited edition of 50 and signed by the artist. The work references philosopher Ludwig Wittgenstein's exploration of language, perception, and color theory, focusing on how words influence our understanding of concepts. By presenting the word “Red” in neon without showing the actual color itself, Kosuth emphasizes the separation between language and the thing it represents. This iconic neon artwork encourages viewers to reflect on the relationship between words, perception, and meaning in everyday life, embodying Kosuth's signature approach to language as a form of art.
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Joseph Kosuth
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Limited Edition Print
Screen-print
USD 1,650
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Sculpture / Object
Engraving
USD 6,000
Joseph Kosuth
Titled Quotation (for L.C.), 1997
Limited Edition Print
Screen-print
Inquire For Price
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.