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// Dialog - Gertrude by Jörg Immendorf is a compelling silkscreen print created in 2001, marked by surrealism and enigmatic imagery. The central figure, rendered in a luminous blue, stands against a stark, dark background, creating a haunting silhouette. The figure appears almost spectral, holding two poles, which adds a sense of balance and mystery to the composition. Surrounding this figure are various abstract, almost ghostly forms, evoking a dreamlike or subconscious realm. Immendorf’s work here seems to probe into themes of identity, interaction, and perhaps inner dialogue, using contrasts between light and dark to heighten the surreal atmosphere. This limited edition print (edition of 100) invites viewers into an introspective visual journey, characteristic of Immendorf’s exploration of the human psyche.
Dialog - Gertrude, 2001
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Medium
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107 x 78 cm
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Details
Artist
Styles
// Dialog - Gertrude by Jörg Immendorf is a compelling silkscreen print created in 2001, marked by surrealism and enigmatic imagery. The central figure, rendered in a luminous blue, stands against a stark, dark background, creating a haunting silhouette. The figure appears almost spectral, holding two poles, which adds a sense of balance and mystery to the composition. Surrounding this figure are various abstract, almost ghostly forms, evoking a dreamlike or subconscious realm. Immendorf’s work here seems to probe into themes of identity, interaction, and perhaps inner dialogue, using contrasts between light and dark to heighten the surreal atmosphere. This limited edition print (edition of 100) invites viewers into an introspective visual journey, characteristic of Immendorf’s exploration of the human psyche.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.