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Jordi Alcaraz’s Sculpture (2026) is a mixed media work that exemplifies the artist’s ongoing investigation into material tension, absence, and spatial paradox. Produced in an edition of five and measuring 64 x 40 x 35 cm, the piece presents an organic, flesh-toned form confined within a transparent acrylic vitrine. The amorphous mass appears compressed against the inner wall, subtly deforming the rigid geometry of its enclosure. This interplay between fragile, malleable matter and the precise, minimalist box creates a visual dialogue about containment and resistance. Alcaraz often explores the boundaries between object and void, solidity and illusion; here, the sculpture suggests a body caught between presence and erasure, emphasizing the poetic friction between confinement and expansion.
Sculpture, 2026
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64 x 40 X 35 cm
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Details
Artist
Styles
Jordi Alcaraz’s Sculpture (2026) is a mixed media work that exemplifies the artist’s ongoing investigation into material tension, absence, and spatial paradox. Produced in an edition of five and measuring 64 x 40 x 35 cm, the piece presents an organic, flesh-toned form confined within a transparent acrylic vitrine. The amorphous mass appears compressed against the inner wall, subtly deforming the rigid geometry of its enclosure. This interplay between fragile, malleable matter and the precise, minimalist box creates a visual dialogue about containment and resistance. Alcaraz often explores the boundaries between object and void, solidity and illusion; here, the sculpture suggests a body caught between presence and erasure, emphasizing the poetic friction between confinement and expansion.
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What is Spatialism?
Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.
