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'Arrossegar ombres' by Jordi Alcaraz is a mixed-media artwork characterized by a minimalist yet dynamic composition. The piece features a series of fluid black shapes, seemingly suspended or dragged across a white surface, evoking a sense of motion and tension. Thin black lines extend from the larger black forms, creating a visual interplay between weight and delicacy. The raw texture and gestural quality suggest themes of impermanence, shadow, and the passage of time. Alcaraz’s signature use of unconventional materials and abstraction invites viewers to reflect on the boundaries between two-dimensional and three-dimensional space. Measuring 190 x 150.5 cm, this work exemplifies his exploration of conceptual art.
Arrossegar ombres, 2025
form
Medium
Size
190 x 150.5 X 5 cm
- Inches
- Centimeters
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Details
Artist
Styles
'Arrossegar ombres' by Jordi Alcaraz is a mixed-media artwork characterized by a minimalist yet dynamic composition. The piece features a series of fluid black shapes, seemingly suspended or dragged across a white surface, evoking a sense of motion and tension. Thin black lines extend from the larger black forms, creating a visual interplay between weight and delicacy. The raw texture and gestural quality suggest themes of impermanence, shadow, and the passage of time. Alcaraz’s signature use of unconventional materials and abstraction invites viewers to reflect on the boundaries between two-dimensional and three-dimensional space. Measuring 190 x 150.5 cm, this work exemplifies his exploration of conceptual art.
What is Spatialism?
Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.