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Monoprint Silkscreen on 290 gram Coventry Rag Paper // I A Tree by Jessica Stockholder is a dynamic monoprint rendered in silkscreen on 290-gram Coventry Rag Paper. The work presents a vivid, abstract interpretation of natural elements with a composition filled with layers of intertwined organic shapes in vibrant hues of green, blue, and orange. The forms resemble leaves and branches, suggesting the structure of a tree, yet the abstract approach gives it an energetic and free-flowing quality. Stockholder’s style blurs the lines between painting and sculpture, inviting viewers to explore nature's complexity through overlapping shapes and vibrant color contrasts. This limited-edition print from 2011 exemplifies Stockholder's innovative approach, merging elements of abstract expressionism with a playful interpretation of organic forms.
i a tree, 2011
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86.4 x 86.4 cm
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Details
Artist
Styles
Monoprint Silkscreen on 290 gram Coventry Rag Paper // I A Tree by Jessica Stockholder is a dynamic monoprint rendered in silkscreen on 290-gram Coventry Rag Paper. The work presents a vivid, abstract interpretation of natural elements with a composition filled with layers of intertwined organic shapes in vibrant hues of green, blue, and orange. The forms resemble leaves and branches, suggesting the structure of a tree, yet the abstract approach gives it an energetic and free-flowing quality. Stockholder’s style blurs the lines between painting and sculpture, inviting viewers to explore nature's complexity through overlapping shapes and vibrant color contrasts. This limited-edition print from 2011 exemplifies Stockholder's innovative approach, merging elements of abstract expressionism with a playful interpretation of organic forms.
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Jessica Stockholder
D C Tree, 2011
Limited Edition Print
Monoprint
USD 4,260
Jessica Stockholder
I A Tree, 2011
Limited Edition Print
Monoprint
USD 4,260
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Limited Edition Print
Archival Print
Currently Not Available
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Lithograph
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
