Sam Francis

Untitled, 1984

106.7 X 73 inch

Jenny Saville's Close Contact, 2002 set of four C-prints, depicts close-up, tactile views of distorted flesh and hands manipulating skin.

The complete set of four c-prints, on matt photo paper mounted to mount board (as issued). All prints signed, annotated 'A'-'D' respectively and numbered in black marker on the reverse // Close Contact by Jenny Saville, a set of four C-prints from 2002, delves into the raw and corporeal aspects of the human body, challenging conventional ideas of beauty and form. Each image presents close-up perspectives of the female form, with exaggerated and distorted flesh, as hands press and manipulate the skin in a tactile exploration of texture and weight. Saville’s focus on the body as a visceral, almost sculptural entity emphasizes both vulnerability and strength, with a focus on the physicality that is often hidden or minimized in mainstream representations. The work invites viewers to confront their perceptions of the body, as Saville's intense, almost confrontational approach to depicting flesh and form imbues each piece with an unsettling yet compelling intimacy. This set, part of a limited edition of 25, showcases Saville’s commitment to exploring the complexity of human form with unflinching realism.

Artwork Copyright © Jenny Saville

Close Contact, 2002

form

Medium

Edition

The complete set of four c-prints, on matt photo paper mounted to mount board (as issued). All prints signed, annotated 'A'-'D' respectively and numbered in black marker on the reverse // Close Contact by Jenny Saville, a set of four C-prints from 2002, delves into the raw and corporeal aspects of the human body, challenging conventional ideas of beauty and form. Each image presents close-up perspectives of the female form, with exaggerated and distorted flesh, as hands press and manipulate the skin in a tactile exploration of texture and weight. Saville’s focus on the body as a visceral, almost sculptural entity emphasizes both vulnerability and strength, with a focus on the physicality that is often hidden or minimized in mainstream representations. The work invites viewers to confront their perceptions of the body, as Saville's intense, almost confrontational approach to depicting flesh and form imbues each piece with an unsettling yet compelling intimacy. This set, part of a limited edition of 25, showcases Saville’s commitment to exploring the complexity of human form with unflinching realism.

Artwork Copyright © Jenny Saville

Jenny Saville

Close Contact, 2002

Photography

C-Print

Currently Not Available

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Who are the Young British Artists - YBA

Young British Artists (YBAs), also known as Britart or Brit artists, refers to a group of artists who began exhibiting together in London in 1988. Most of them graduated from the BA Fine Arts course at Goldsmiths in the late 1980s. The YBAs are known for their wild lifestyles, use of unconventional materials, and a combination of entrepreneurial and oppositional attitudes. They dominated the British art scene in the 1990s and gained significant media attention. Many of these artists were initially supported and collected by Charles Saatchi, a key figure in their rise to prominence.

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