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Mini Electric LED Sign with Diodes in Colors // Living 2 by Jenny Holzer, created between 1980 and 1982, is a mixed media sculpture featuring a mini electric LED sign with colored diodes. The grid displays a structured arrangement of red, green, and yellow diodes against a black background, housed within a minimalist black frame. Holzer’s work often explores language and communication through technological mediums, using light and coded signals to engage viewers. The methodical organization of the diodes evokes a sense of rhythm and order while encouraging reflection on the symbolic or conceptual meanings of the lights. Holzer's blend of minimalist design and powerful messaging makes this work thought-provoking and visually striking.
Living 2, 1980-82
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Medium
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10.2 x 12.1 X 3.8 cm
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Details
Artist
Styles
Mini Electric LED Sign with Diodes in Colors // Living 2 by Jenny Holzer, created between 1980 and 1982, is a mixed media sculpture featuring a mini electric LED sign with colored diodes. The grid displays a structured arrangement of red, green, and yellow diodes against a black background, housed within a minimalist black frame. Holzer’s work often explores language and communication through technological mediums, using light and coded signals to engage viewers. The methodical organization of the diodes evokes a sense of rhythm and order while encouraging reflection on the symbolic or conceptual meanings of the lights. Holzer's blend of minimalist design and powerful messaging makes this work thought-provoking and visually striking.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
