Details
Artist
Styles
Color Lithograph on BRF Rives. Signed and Numbered. Reference: Maeght Éditeur, Paris (publisher) ; Derriere le Miroir #115. Quatre Oiseaux (1959) by Georges Braque is a refined color lithograph that captures four stylized birds in flight against a muted, abstract background. Executed in soft grays and creams, the composition alternates between three pale birds and a single black one, suggesting contrast and rhythm. Below them, simple circular shapes hint at celestial bodies or symbolic forms. Braque, a co-founder of Cubism, often incorporated birds into his later work as emblems of freedom and transcendence. This intimate print, signed and numbered from an edition of 275, distills his mature visual language into a compact yet poetic format.
Quatre Oiseaux, 1959
form
Medium
Size
9.4 x 22.6 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Color Lithograph on BRF Rives. Signed and Numbered. Reference: Maeght Éditeur, Paris (publisher) ; Derriere le Miroir #115. Quatre Oiseaux (1959) by Georges Braque is a refined color lithograph that captures four stylized birds in flight against a muted, abstract background. Executed in soft grays and creams, the composition alternates between three pale birds and a single black one, suggesting contrast and rhythm. Below them, simple circular shapes hint at celestial bodies or symbolic forms. Braque, a co-founder of Cubism, often incorporated birds into his later work as emblems of freedom and transcendence. This intimate print, signed and numbered from an edition of 275, distills his mature visual language into a compact yet poetic format.
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Georges Braque
Le Trèfle, From Lettera Amorosa, 1963
Limited Edition Print
Lithograph
USD 20,000 - 25,000
What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.
