Details
Artist
Styles
Color lithograph on Arches paper; signed and numbered in pencil. Published by Maeght, Paris. Reference: Vallier 119. Georges Braque’s Les Oiseaux Blancs (1958) is a color lithograph on Arches paper that reflects his late exploration of simplified forms and poetic symbolism. White, abstracted birds emerge from a dark, earthy background, their contours loosely defined with gestural brush-like lines. The composition balances solidity and openness, with the birds appearing both as figures and as negative space. Published by Maeght in Paris in an edition of 75, the work relates to Braque’s enduring fascination with flight as a symbol of freedom and transcendence. The muted palette and tactile surface lend the image a quiet, meditative quality.
Les Oiseaux Blancs, 1958
form
Medium
Size
72.4 x 48.9 cm
- Inches
- Centimeters
Edition
Price
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Details
Artist
Styles
Color lithograph on Arches paper; signed and numbered in pencil. Published by Maeght, Paris. Reference: Vallier 119. Georges Braque’s Les Oiseaux Blancs (1958) is a color lithograph on Arches paper that reflects his late exploration of simplified forms and poetic symbolism. White, abstracted birds emerge from a dark, earthy background, their contours loosely defined with gestural brush-like lines. The composition balances solidity and openness, with the birds appearing both as figures and as negative space. Published by Maeght in Paris in an edition of 75, the work relates to Braque’s enduring fascination with flight as a symbol of freedom and transcendence. The muted palette and tactile surface lend the image a quiet, meditative quality.
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Georges Braque
Le Trèfle, From Lettera Amorosa, 1963
Limited Edition Print
Lithograph
USD 20,000 - 25,000
What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.
