
Details
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// Dirk Braeckman’s Self-portrait (1989) is a striking black-and-white photograph that plays with ambiguity and layered identity. The image presents two mirrored views of a male figure, presumably the artist himself, with ghostly superimpositions obscuring parts of the face. This creates an unsettling, fragmented effect, blending photographic realism with distortion. Braeckman’s use of grayscale tones emphasizes the haunting quality of the image, making the viewer question the boundaries between the physical self and its representation. The work is characteristic of Braeckman’s exploration of the photographic medium as a tool for introspection and existential questioning.
Self-portrait, 1989
form
Medium
Size
45.5 x 89 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
// Dirk Braeckman’s Self-portrait (1989) is a striking black-and-white photograph that plays with ambiguity and layered identity. The image presents two mirrored views of a male figure, presumably the artist himself, with ghostly superimpositions obscuring parts of the face. This creates an unsettling, fragmented effect, blending photographic realism with distortion. Braeckman’s use of grayscale tones emphasizes the haunting quality of the image, making the viewer question the boundaries between the physical self and its representation. The work is characteristic of Braeckman’s exploration of the photographic medium as a tool for introspection and existential questioning.
What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.