Sam Francis

Untitled, 1984

106.7 X 73 inch

Dirk Braeckman’s Self-portrait, photograph, 1989. Two mirrored faces with ghostly overlays, creating a fragmented, haunting effect.

// Dirk Braeckman’s Self-portrait (1989) is a striking black-and-white photograph that plays with ambiguity and layered identity. The image presents two mirrored views of a male figure, presumably the artist himself, with ghostly superimpositions obscuring parts of the face. This creates an unsettling, fragmented effect, blending photographic realism with distortion. Braeckman’s use of grayscale tones emphasizes the haunting quality of the image, making the viewer question the boundaries between the physical self and its representation. The work is characteristic of Braeckman’s exploration of the photographic medium as a tool for introspection and existential questioning.

Artwork Copyright © Dirk Braeckman

Self-portrait, 1989

form

Medium

Edition

// Dirk Braeckman’s Self-portrait (1989) is a striking black-and-white photograph that plays with ambiguity and layered identity. The image presents two mirrored views of a male figure, presumably the artist himself, with ghostly superimpositions obscuring parts of the face. This creates an unsettling, fragmented effect, blending photographic realism with distortion. Braeckman’s use of grayscale tones emphasizes the haunting quality of the image, making the viewer question the boundaries between the physical self and its representation. The work is characteristic of Braeckman’s exploration of the photographic medium as a tool for introspection and existential questioning.

Artwork Copyright © Dirk Braeckman

Dirk Braeckman

Self-portrait, 1989

Photography

Photograph

Artwork On Hold

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What is conceptual art?

Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.

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